Octavia E. Butler's final novel is the story of an apparently young, amnesiac girl whose alarmingly unhuman needs and abilities lead her to a startling conclusion: She is in fact a genetically modified, 53-year-old vampire. Forced to discover what she can about her stolen former life, she must at the same time learn who wanted—and still wants—to destroy her and those she cares for, and how she can save herself.

A powerful and expertly told novel in verse by an award-winning poet, about a 12-year-old Dominican American swimmer who is diagnosed with Juvenile Arthritis.

Aniana del Mar belongs in the water like a dolphin belongs to the sea. But she and Papi keep her swim practices and meets hidden from Mami, who has never recovered from losing someone she loves to the water years ago. That is, until the day Ani’s stiffness and swollen joints mean she can no longer get out of bed, and Ani is forced to reveal just how important swimming is to her. Mami forbids her from returning to the water but Ani and her doctor believe that swimming along with medication will help Ani manage her disease. What follows is the journey of a girl who must grieve who she once was in order to rise like the tide and become the young woman she is meant to be. Aniana Del Mar Jumps In is a poignant story about chronic illness and disability, the secrets between mothers and daughters, the harm we do to the ones we love the most—and all the triumphs, big and small, that keep us afloat.

A soulful collection of illuminating essays and interviews that explore Black people’s spiritual connection to the land and the climate justice crisis, curated by the acclaimed author of Farming While Black.

Author of Farming While Black and co-founder of Soul Fire Farm, Leah Penniman reminds us that ecological humility is an intrinsic part of Black cultural heritage. While racial capitalism has attempted to sever our connection to the sacred earth for 400 years, Black people have long seen the land and water as family and treating the Earth as a home essential.

This thought-provoking anthology brings together today’s most respected and influential Black environmentalist voices. These varied and distinguished experts include Pulitzer Prize and National Book Award-winning author Alice Walker; the first Queen Mother and official spokesperson for the Gullah/Geechee Nation, Queen Quet; marine biologist, policy expert, and founder and president of Ocean Collectiv, Dr. Ayana Elizabeth Johnson; and the Executive Director of the North Carolina Association of Black Lawyers, Land Loss Prevention Project, Savi Horne. These leaders address the essential connection between nature and our survival and how runaway consumption and corporate insatiability are harming the earth and every facet of American society, including racial violence, food apartheid, and climate justice.

Those whose skin is the color of soil are reviving their ancestral and ancient practice of listening to the earth for guidance. Penniman makes clear that the fight for racial and environmental justice demands that Black people put our planet first and defer to nature as our teacher.

For readers of Ace and Belly of the Beast: A Black queer feminist exploration of asexuality--and an incisive interrogation of the sex-obsessed culture that invisibilizes and ignores asexual and A-spec identity.

Everything you know about sex and asexuality is (probably) wrong.

The notion that everyone wants sex--and that we all have to have it--is false. It’s intertwined with our ideas about capitalism, race, gender, and queerness. And it impacts the most marginalized among us. For asexual folks, it means that ace and A-spec identity is often defined by a queerness that’s not queer enough, seen through a lens of perceived lack: lack of pleasure, connection, joy, maturity, and even humanity.

In this exploration of what it means to be Black and asexual in America today, Sherronda J. Brown offers new perspectives on asexuality. She takes an incisive look at how anti-Blackness, white supremacy, patriarchy, heteronormativity, and capitalism enact harm against asexual people, contextualizing acephobia within a racial framework in the first book of its kind. Brown advocates for the “A” in LGBTQIA+, affirming that to be asexual is to be queer--despite the gatekeeping and denial that often says otherwise.

With chapters on desire, f*ckability, utility, refusal, and possibilities, Refusing Compulsory Sexuality discusses topics of deep relevance to ace and a-spec communities. It centers the Black asexual experience--and demands visibility in a world that pathologizes and denies asexuality, denigrates queerness, and specifically sexualizes Black people.

A necessary and unapologetic reclamation, Refusing Compulsory Sexuality is smart, timely, and an essential read for asexuals, aromantics, queer readers, and anyone looking to better understand sexual politics in America.

“A fine addition to book collections about families, food, counting, and joyous gatherings." —The Horn Book

This sweet, rhyming-counting board book introduces young readers to numbers one through fifteen as Grandma’s family and friends fill her tiny house on Brown Street. Neighbors, aunts, uncles, nieces, nephews, and grandkids crowd into the house and pile it high with treats for a family feast.
 
But when the walls begin to bulge and nobody has space enough to eat, one clever grandchild knows exactly what to do.

Through close readings of slave narratives, scrapbooks, travel illustration, documentary film and photography, as well as collage, craft, and sculpture, Jasmine Nichole Cobb explores Black hair as a visual material through which to reimagine the sensual experience of Blackness.

From Frederick Douglass to Angela Davis, “natural hair” has been associated with the Black freedom struggle. In New Growth Jasmine Nichole Cobb traces the history of Afro-textured coiffure, exploring it as a visual material through which to reimagine the sensual experience of Blackness. Through close readings of slave narratives, scrapbooks, travel illustration, documentary film and photography, as well as collage, craft, and sculpture, from the nineteenth century to the present, Cobb shows how the racial distinctions ascribed to people of African descent become simultaneously visible and tactile. Whether examining Soul Train’s and Ebony’s promotion of the Afro hairstyle alongside cosmetics or how artists such as Alison Saar and Lorna Simpson underscore the construction of Blackness through the representation of hair, Cobb foregrounds the inseparability of Black hair’s look and feel. Demonstrating that Blackness is palpable through appearance and feeling, Cobb reveals the various ways that people of African descent forge new relationships to the body, public space, and visual culture through the embrace of Black hair.

A nuanced profile, in image and text, of the great Black Power leader at the exhilarating moment of the movement’s ascendancy

Gordon Parks’ 1967 Life magazine essay “Whip of Black Power” is a nuanced profile of the young, controversial civil rights leader Stokely Carmichael. As chairman of the Student Nonviolent Coordinating Committee, Carmichael gained national attention and inspired media backlash when he issued the call for Black Power in Greenwood, Mississippi, in June 1966. Parks shadowed him from the fall of 1966 to the spring of 1967, as Carmichael gave speeches, headed meetings and promoted the growing Black Power movement. Parks’ photos and writing addressed Carmichael’s intelligence and humor, presenting the whole man behind the headline-making speeches and revealing his own advocacy of Black Power and its message of self-determination and love.
Stokely Carmichael and Black Power delves into Parks’ groundbreaking presentation of Carmichael, with analysis of his images and accompanying text about the charismatic leader. Lisa Volpe explores Parks’ complex understanding of the movement and its leader, and Cedric Johnson frames Black Power within the heightened political moment of the late 1960s. Carmichael’s own voice is represented through a reprint of his important 1966 essay “What We Want.”
Gordon Parks (1912–2006) was a photographer, filmmaker, musician and author whose 50-year career focused on American culture, social justice, the civil rights movement and the Black American experience. Born into poverty and segregation in Fort Scott, Kansas, Parks was awarded the Julius Rosenwald Fellowship in 1942, which led to a position with the Farm Security Administration. In 1969 he became the first Black American to write and direct a major feature film, The Learning Tree, and his next directorial endeavor, Shaft (1971), helped define a film genre.

The New York Times best-selling author’s time-travel classic that makes us feel the horrors of American slavery and indicts our country’s lack of progress on racial reconciliation

Soon to be an FX Networks TV series adaptation with a pilot directed by Janicza Bravo (Zola), written by Branden Jacobs-Jenkins (Watchmen), and executive produced by Jacobs-Jenkins and Darren Aronofsky (The Fountain)

“I lost an arm on my last trip home. My left arm.”

Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon realizes the purpose of her summons to the past: protect Rufus to ensure his assault of her Black ancestor so that she may one day be born. As she endures the traumas of slavery and the soul-crushing normalization of savagery, Dana fights to keep her autonomy and return to the present.

Blazing the trail for neo-slavery narratives like Colson Whitehead’s The Underground Railroad and Ta-Nehisi Coates’s The Water Dancer, Butler takes one of speculative fiction’s oldest tropes and infuses it with lasting depth and power. Dana not only experiences the cruelties of slavery on her skin but also grimly learns to accept it as a condition of her own existence in the present. “Where stories about American slavery are often gratuitous, reducing its horror to explicit violence and brutality, Kindred is controlled and precise” (New York Times).

Curses! Adventures! And drama! Oh my! Safia might not be able to see the world, but that doesn’t mean she can’t experience it to the fullest as she finds herself on her very first adventure! This is a contemporary fantasy middle-grade graphic novel about discovering what you are truly capable of.

Safia thought that being blind meant she would only get to go on adventures through her audiobooks. This all changes when she goes to live with a distant and mysterious aunt, Lady Whimsy, who takes Safia on the journey of a lifetime!

While the reclusive Lady Whimsy stops an old rival from uncovering the truth behind her disappearance, Safia experiences parts of the world she had only dreamed about. But when an unlikely group of chaotic agents comes after Whimsy, Safia is forced to confront the adventure head-on. For the first time in her life, Safia is the hero of her own story, and she must do what she can to save the day.

And maybe find some friends along the way.

Reimena Yee returns with an all-new graphic novel filled with action, magic, and family. My Aunt Is a Monster explores how anybody can do anything as long as they are given the chance and have the right people behind them.

The powerful sequel to the instant New York Times bestselling and award-winning Legendborn—perfect for fans of Cassandra Clare and Margaret Rogerson!

The shadows have risen, and the line is law.

All Bree wanted was to uncover the truth behind her mother’s death. So she infiltrated the Legendborn Order, a secret society descended from King Arthur’s knights—only to discover her own ancestral power. Now, Bree has become someone new:

A Medium. A Bloodcrafter. A Scion.

But the ancient war between demons and the Order is rising to a deadly peak. And Nick, the Legendborn boy Bree fell in love with, has been kidnapped.

Bree wants to fight, but the Regents who rule the Order won’t let her. To them, she is an unknown girl with unheard-of power, and as the living anchor for the spell that preserves the Legendborn cycle, she must be protected.

When the Regents reveal they will do whatever it takes to hide the war, Bree and her friends must go on the run to rescue Nick themselves. But enemies are everywhere, Bree’s powers are unpredictable and dangerous, and she can’t escape her growing attraction to Selwyn, the mage sworn to protect Nick until death.

If Bree has any hope of saving herself and the people she loves, she must learn to control her powers from the ancestors who wielded them first—without losing herself in the process.

In the literary tradition of Carmen Maria Machado’s In the Dream House, Maxine Hong Kingston’s The Woman Warrior, and Jesmyn Ward’s Men We Reaped, this debut memoir confronts both the challenges and joys of growing up Black and making your own truth.

Growing up as a Black girl in America, Deborah Mouton felt alienated from the stories she learned in class. She yearned for stories she felt connected to—true ones of course—but also fables and mythologies that could help explain both the world and her place in it. What she encountered was almost always written by white writers who prospered in a time when human beings were treated as chattel, such as the Greek and Roman myths, which felt as dusty and foreign as ancient ruins. When she sought myths written by Black authors, they were rooted too far in the past, a continent away.

Mouton writes, “The phrases of my mother and grandmother began to seem less colloquial and more tied to stories that had been lost along the way. . . . Mythmaking isn’t a lie. It is our moment to take the privilege of our own creativity to fill in the gaps that colonization has stolen from us. It is us choosing to write the tales that our children pull strength from. It is hijacking history for the ignorance in its closets. This, a truth that must start with the women.”

Mouton’s memoir is a song of praise and an elegy for Black womanhood. With a poet’s gift for lyricism and poignancy, Mouton reflects on her childhood as the daughter of a preacher and a harsh but loving mother, living in the world as a Black woman whose love is all too often coupled with danger, and finally learning to be a mother to another Black girl in America. Of the moment yet timeless, playful but incendiary, Mouton has staked out new territory in the memoir form.

Light in spirit and easy to make, FREE SPIRIT COCKTAILS is a refreshing approach to cocktail-making without the hangover.

Lighthearted and full of easy-to-make drinks, FREE SPIRIT COCKTAILS is a refreshing approach to cocktail-making without the hangover. This collection of 40 zero-alcohol recipes features a wide variety of flavorful refreshments that have the look and feel of well-crafted cocktails without any liquor involved. From twists on classic cocktails to inventive sippers, quick 3-ingredient recipes, and more, this mocktail book offers countless opportunities for a spirit-free moment:

• Unwind after a long day with a fragrant glass of A Perfect Pear.
• Mix up some flavorful Faux Swizzles for a zero-proof mocktail party.
• Host a perfect brunch with a large batch of Life's a Peach.
• Cheers with a glass of Be My Honey to celebrate all of life's moments.

• People looking for fun alcohol-free recipes

An exquisite combination of beautiful photography and compelling stories, this book from Outdoor Afro founder, Rue Mapp, celebrates Black joy in nature.

Filled with breathtaking photography, inspiring stories, profiles, and spotlights from Outdoor Afro group members, prominent Black leaders in outdoor spaces, and other organizations, this book inspires Black communities to reclaim their place in the natural world. Interspersed throughout are essays from Mapp on the rich history of Black involvement in the outdoors, activism, and conservation, as well as resources for readers who want to deepen their own connection with the elements. A perfect blend of gorgeous photographs, awe-inspiring stories, and Black history, this collection is the perfect gift for anyone looking to heal in these sacred natural spaces.

INCREDIBLE ORGANIZATION: Outdoor Afro is a leading organization in the promotion of Black involvement and interaction with the outdoors. Their powerful work is leaving positive, lasting effects on the Black community and broader conservation community.

ACCOMPLISHED AUTHOR: Rue Mapp's rich involvement in the outdoors and her connections with like-minded individuals and organizations offer a unique approach to educating, motivating, and encouraging Black connection with nature.

INSPIRATIONAL AND UNIQUE: This book showcases Black joy and strength in spaces from which they have either historically been excluded, or less represented, and makes for an inventive and uplifting celebration of Black joy in nature.

A GREAT GIFT: Perfect for the outdoorsy person in your life, this book will make for an excellent boost of inspiration and encouragement all year round.

A photographic celebration and exploration of Black identity and experience through the twentieth century from the founder and curator of the hit multimedia platform Black Archives.

Renata Cherlise’s family loved capturing their lives in photographs and home movies, sparking her love of archival photography. Following in her family’s footsteps, Cherlise established Black Archives, which presents a nuanced representation of Black people across time living vibrant, ordinary lives. Through the platform, many have discovered and shared images of themselves and their loved ones experiencing daily life, forming multidimensional portraits of people, places, and the Black community. These photographs not only tell captivating stories, they hold space for collective memory and kinship. 
 
Black Archives is a stunning collection of timeless images that tell powerful, joyful stories of everyday life and shed light on Black culture’s dynamic, enduring influence through the generations. The images showcase reunions, nights out on the town, parents and children, church and school functions, holidays, big life events, family vacations, moments at home, and many more occasions of leisure, excitement, reflection, and pride.
 
Featuring more than three hundred images that spotlight the iconic and the candid, Black Archives offers a nuanced compendium of Black memory and imagination. 

When an extraordinary flying theme park arrives above Atlanta, one boy must stop a sinister force from stealing the park's tech and taking over the world. An electrifying illustrated series with the Afrofuturism of Black Panther that took the world by storm. Perfect for fans of Spider-Man: Miles Morales.

"Hold on tight, Futureland will be the ride of your life . . . and maybe the last!" —Kwame Mbalia, #1 New York Times bestselling author

Welcome to the most spectacular theme park in the world.

Everyone wants a ticket to Futureland, where you can literally live out your wildest dreams. Want to step inside your favorite video game? Go pro in a sports arena? Perform at a real live concert? Grab your ticket and come right in.

Yet with all its attractions, Futureland has always just been home to Cam Walker, the son of the park’s famous creators. And when Futureland arrives at its latest stop, Atlanta, Cam is thrilled for what promises to be the biggest opening ever. . . .

But things aren't quite right with the Atlanta opening. Park attractions are glitching. Kids go missing. And when his parents are blamed, Cam must find the missing kids and whoever’s trying to take down his family . . . before it’s too late.

Here is plant-based Africa: more than 70 healthy and authentic recipes from 13 different African countries, including the author’s own home country of the Ivory Coast.

An authentically African and naturally vegan culinary journey across the continent 
 
Drawing from the cultures and traditions of more than 15 countries, years of cooking expertise, and cherished memories from her own childhood on the Ivory Coast, Marie Kacouchia takes us on a tour of flavorful, healthy, naturally plant-based African dishes. Explore over 70 irresistible recipes for main courses, rice dishes, sauces, snacks, desserts, and drinks, including: 

• Peanut Hummus
• Cassava Tabbouleh with Radishes and Herbs
• Yassa Burger
• Paprika-Spiced Plantain Chips
• Sweet Potato and Ginger Loaf
• Coconut Rice Pudding
• Lemongrass Lemonade, and so much more! 

Their love was supposed to last forever. But when life delivered blow after devastating blow, Yasmen and Josiah Wade found that love alone couldn’t solve or save everything.

It couldn’t save their marriage.

Yasmen wasn’t prepared for how her life fell apart, but she’s is finally starting to find joy again. She and Josiah have found a new rhythm, co-parenting their two kids and running a thriving business together. Yet like magnets, they’re always drawn back to each other, and now they’re beginning to wonder if they’re truly ready to let go of everything they once had.

Soon, one stolen kiss leads to another…and then more. It's hot. It's illicit. It's all good—until old wounds reopen. Is it too late for them to find forever? Or could they even be better, the second time around?

Award-winning and bestselling "powerhouse" author Kennedy Ryan is at her absolute best in this compelling, scorching novel about hope and healing, and what it truly means to love for a lifetime (USA Today).

A hardcover edition of Octavia E. Butler's bestselling short story collection Bloodchild, with a new cover design and new introduction by two-time National Book Award winner Jesmyn Ward

Bloodchild and Other Stories is renowned author Octavia E. Butler's only collection of shorter work and features the Hugo and Nebula award-winning stories "Bloodchild" and "Speech Sounds." These works of the imagination are parables of the contemporary world. Butler proves constant in her vigil, an unblinking pessimist hoping to be proven wrong, and one of contemporary literature's strongest voices.

Get ready to swing with A Child’s Introduction to Jazz, an interactive journey into one of the richest and most soulful music genres in the world. Listen while you learn with QR codes that will connect you to the instruments and musical flair of jazz. 

Welcome to jazz! Feel the music and rhythms of all the different styles of jazz, from swing and Dixieland to the blues and bebop, with this interactive introduction to the world’s coolest music.

Author Jabari Asim will take you on the journey through the history of jazz as you discover the most important musicians and singers while hearing some really cool sounds. You’ll learn all about the roots of jazz in Africa and New Orleans and how the music traveled to different parts of the United States and around the world. Along the way you’ll meet legendary trumpeter Louis Armstrong, who shaped a new form of jazz called improvisation; pianist and bandleader Duke Ellington, who helped create the big band sound of the swing era; and the singer Billie Holiday, whose songs such as “God Bless the Child,” “Don’t Explain,” and “Lady Sings the Blues” have become jazz standards.

Listen along to the sounds of jazz by downloading music and hearing instruments such as trumpets, clarinets, trombones, and even singers scatting as they improvise melodies. With a pull-out poster showing the different instruments of jazz, A Child’s Introduction to Jazz hits the perfect beat and will have you bebopping and scatting in no time!

From the New York Times bestselling author of the Brown Sisters trilogy, comes a laugh-out-loud story about a quirky content creator and a clean-cut athlete testing their abilities to survive the great outdoors—and each other.

Bradley Graeme is pretty much perfect. He’s a star football player, manages his OCD well (enough), and comes out on top in all his classes . . . except the ones he shares with his ex-best friend, Celine.
 
Celine Bangura is conspiracy-theory-obsessed. Social media followers eat up her takes on everything from UFOs to holiday overconsumption—yet, she’s still not cool enough for the popular kids’ table. Which is why Brad abandoned her for the in-crowd years ago. (At least, that’s how Celine sees it.)

These days, there’s nothing between them other than petty insults and academic rivalry. So when Celine signs up for a survival course in the woods, she’s surprised to find Brad right beside her.

Forced to work as a team for the chance to win a grand prize, these two teens must trudge through not just mud and dirt but their messy past. And as this adventure brings them closer together, they begin to remember the good bits of their history. But has too much time passed . . . or just enough to spark a whole new kind of relationship?

The Evidence of Things Not Seen, award-winning author James Baldwin’s searing 1985 indictment of the nation’s racial stagnation, is contextualized anew by an introduction from New York Times bestselling author and political leader Stacey Abrams.

In this essential work, James Baldwin examines the Atlanta child murders that took place over twenty-two months in 1979 and 1980. Examining this incident with a reporter’s skill and an essayist’s insight, he notes the significance of Atlanta as the site of these brutal killings—a city that claimed to be “too busy to hate”—and the permeation of race throughout the case: the Black administration in Atlanta; the murdered Black children; and Wayne Williams, the Black man tried for the crimes. In Baldwin’s hands, this specific set of events has transcended its era and remains as relevant today as ever.

Rummaging through the ruins of American race relations, Baldwin addresses all the hard-to-face issues that have brought us to a moment in history when we are forced to reckon with some of the country’s most ingrained, foundational issues and when, too often, public officials fail to ask real questions about “justice for all.” In this, his last book, Baldwin also reveals his optimistic faith in America’s ability to move toward repair: “This is the only nation in the world that can hope to liberate—to begin to liberate—mankind from the strangling idea of the national identity and the tyranny of the territorial dispute. I know this sounds remote, now, and that I will not live to see anything resembling this hope come to pass. Yet, I know that I have seen it—in fire and blood and anguish, true, but I have seen it. I speak with the authority of the issue of the slave born in the country once believed to be: the last best hope of earth.”

An unforgettable debut about a young British Ghanaian woman as she navigates her twenties and finds her place in the world, for readers of Queenie and The Other Black Girl.

Maame (ma-meh) has many meanings in Twi but in my case, it means woman.

It’s fair to say that Maddie’s life in London is far from rewarding. With a mother who spends most of her time in Ghana (yet still somehow manages to be overbearing), Maddie is the primary caretaker for her father, who suffers from advanced stage Parkinson’s. At work, her boss is a nightmare and Maddie is tired of always being the only Black person in every meeting.

When her mum returns from her latest trip to Ghana, Maddie leaps at the chance to get out of the family home and finally start living. A self-acknowledged late bloomer, she’s ready to experience some important “firsts”: She finds a flat share, says yes to after-work drinks, pushes for more recognition in her career, and throws herself into the bewildering world of internet dating. But it's not long before tragedy strikes, forcing Maddie to face the true nature of her unconventional family, and the perils––and rewards––of putting her heart on the line.

Smart, funny, and deeply affecting, Maame deals with the themes of our time with humor and poignancy: from familial duty and racism, to female pleasure, the complexity of love, and the life-saving power of friendship. Most important, it explores what it feels like to be torn between two homes and cultures—and it celebrates finally being able to find where you belong.

The most influential work by “the father of Black history”, reflecting the long-standing tradition of antiracist teaching pioneered by Black educators

A Penguin Classic

   The Mis-education of the Negro (1933) is Woodson’s most popular classic work of Black social criticism, drawing on history, theory, and memoir. As both student and teacher, Woodson witnessed the distortions of Black life in the history and literature taught in schools and universities. He argued that there was a relationship between these distortions and the violence that circumscribed Black life in the material world, declaring, “There would be no lynching it if did not start in the schoolroom.” Woodson’s primary focus was the impact dominant modes of schooling had on Black youth. From Emancipation through the 1930s, white Americans continued to control the institutional and ideological development of Black schools, based on a system of knowledge that reinforced ideas of Black inferiority.
    Across the country, Black teachers organized to make their curricula more relevant for students, and they critiqued the studious omission of Black life in formal curricula, anticipating many of the ideas appearing in Mis-education two decades later. Woodson wrote that the overrepresentation of white people and narratives of white achievement in curricula presented an outsize image of whites and their importance in the history of human progress. These distortions had the power to motivate white students to achieve and aspire and demotivate students of races that suffered under the hand of white supremacy. They cultivated an aspiration to whiteness among Black people and/or led them to despise their own race for its supposed lack of achievement. This was a systematic process of mis-education, articulating an aspect of Black America’s experience that scholars before and after Woodson recognized and worked to challenge.
    Woodson argued that students, teachers, and leaders needed to be educated in a manner that was accountable to Black experiences and lived realities, both past and present. With current debates over teaching race in U.S. classrooms, the ideas associated with Mis-education continue to resonate today.

The Davenports delivers a totally escapist, swoon-worthy romance while offering a glimpse into a period of African American history often overlooked.

"A fresh, utterly enchanting read.” —Ayana Gray, New York Times bestselling author of the Beasts of Prey trilogy

The Davenports are one of the few Black families of immense wealth and status in a changing United States, their fortune made through the entrepreneurship of William Davenport, a formerly enslaved man who founded the Davenport Carriage Company years ago. Now it's 1910, and the Davenports live surrounded by servants, crystal chandeliers, and endless parties, finding their way and finding love—even where they’re not supposed to.

There is Olivia, the beautiful elder Davenport daughter, ready to do her duty by getting married . . . until she meets the charismatic civil rights leader Washington DeWight and sparks fly. The younger daughter, Helen, is more interested in fixing cars than falling in love—unless it’s with her sister’s suitor. Amy-Rose, the childhood friend turned maid to the Davenport sisters, dreams of opening her own business—and marrying the one man she could never be with, Olivia and Helen’s brother, John. But Olivia’s best friend, Ruby, also has her sights set on John Davenport, though she can’t seem to keep his interest . . . until family pressure has her scheming to win his heart, just as someone else wins hers.

Inspired by the real-life story of the Patterson family, The Davenports is the tale of four determined and passionate young Black women discovering the courage to steer their own path in life—and love.

This stunning, poetic picture book shows how one little girl’s careful tending of a pecan tree creates the living center of a loving, intergenerational Black family.

Before her grandchildren climbed the towering tree,

explored its secret nests,

                       raced to its sturdy trunk,

                                   read in its cool shade,

                       or made pies with its pecans . . .

Nell buried a seed.

And just as, with Nell’s love and care, her tree grows and thrives—so do generations of her close-knit family.

Inspired by the pecan trees of her own childhood, Anne Wynter’s lyrical picture book, brought to life with gorgeous illustrations by Daniel Miyares, brims with wonder and love.

Paletero Man meets Fry Bread in this vibrant and cheerful ode to platanos, the star of Dominican cuisine, written by award-winning poet Lissette Norman and illustrated by Sara Palacios.

Platanos are Yesenia’s favorite food. They can be sweet and sugary, or salty and savory. And they’re a part of almost every meal her Dominican family makes. 

Stop by her apartment and find out why platanos go with everything—especially love!

___

Los plátanos son la comida favorita de Yesenia. Pueden ser dulces y azucarados o salados y sabrosos. Y son parte de casi todas las comidas que prepara su familia dominicana.

Pasa por su apartamento y descubre por qué los plátanos van con todo, ¡especialmente con el amor!

A fun and fact-filled introduction to the dismissed Black art masters and models who shook up the world.

Elegant. Refined. Exclusionary. Interrupted. The foundations of the fine art world are shaking. Beyoncé and Jay-Z break the internet by blending modern Black culture with fine art in their iconic music video filmed in the Louvre. Kehinde Wiley powerfully subverts European masterworks. Calls resonate for diversity in museums and the resignations of leaders of the old guard. It’s clear that modern day museums can no longer exist without change—and without recognizing that Black people have been a part of the Western art world since its beginnings. Quietly held within museum and private collections around the world are hundreds of faces of Black men and women, many of their stories unknown. From paintings of majestic kings to a portrait of a young girl named Isabella in Amsterdam, these models lived diverse lives while helping shape the art world along the way. Then, after hundreds of years of Black faces cast as only the subject of the white gaze, a small group of trailblazing Black American painters and sculptors reached national and international fame, setting the stage for the flourishing of Black art in the 1920s and beyond. Captivating and informative, BLK ART is an essential work that elevates a globally dismissed legacy to its proper place in the mainstream art canon. From the hushed corridors of royal palaces to the bustling streets of 1920s Paris—this is Black history like never seen before.

When the body of reality TV star Desiree Pierce is found on a playground in the Bronx the morning after her twenty-fifth birthday party, the police and the media are quick to declare her death an overdose. A tragedy, certainly, but not a crime.

Yet Columbia grad student Lena—principled, headstrong, and allergic to the spotlight—knows that can’t be the case. Despite the bitter truth that the two hadn’t spoken in two years, they were half-sisters. Lena knew Desiree. And Desiree would never travel above 125th Street. Something is very wrong with the facts. So why is no one listening?

While the two sisters had been torn apart by Desiree’s partying and by their difficult father, Lena becomes determined to find justice for Desiree. Even if that means untangling her family’s darkest secrets—or ending up dead herself.

Black women are powerful, brilliant, and brave, and it’s time to affirm these truths with more than 100 affirmations and journal prompts Black women can use to empower themselves.

In a world that perpetuates negative stereotypes about Black women, it’s more important than ever to affirm Black women for their power, brilliance, and bravery. With Affirmations for Black Women: A Journal, Black women will find more than 100 affirmations from their emotional, mental, and physical wellbeing, to the practical, professional, and social aspects of their lives. You’ll also learn specifically why affirmations are essential for Black women in order to heal from the effects of misogynoir, to build up your confidence, to build a self-care practice, and much more. You’ll discover how to apply affirmations to your daily life and use them in order to manifest what you desire and deserve.

Best of all, you’ll find short prompts after each affirmation to reflect on the affirmation and to take them one step further. Prompts will help you cement the affirmation into your mind, and into your reality as you incorporate them fully into your life. With Affirmations for Black Women: A Journal, you’ll celebrate being a Black woman, affirm your talent and worth, and bring your dreams to fruition.

The long-awaited first major monograph on the iconic portraitist of Black Americans

This is the first comprehensive monograph on acclaimed painter Amy Sherald, whose distinctive style of simplified realist portraiture features African American subjects rendered against colorful monochrome backdrops or in everyday settings. Sherald rose to fame after being chosen by former first lady Michelle Obama to paint her official portrait for the National Portrait Gallery in Washington, DC, in 2018, becoming the first African American woman to receive this honor. In addition to reproductions of Sherald’s recent works, the book—published to accompany her solo exhibition at Hauser & Wirth London in fall 2022—includes illustrations of earlier paintings, as well as an intimate glimpse into Sherald’s process and practice through a series of in-studio photographs. Newly commissioned texts include an art historical analysis of the artist’s work by Jenni Sorkin; a meditation on the politics and aesthetics of Sherald's portraiture by cultural scholar Kevin Quashie; and a conversation between Sherald and acclaimed author Ta-Nehisi Coates.
Amy Sherald was born in Georgia in 1973 and received her MFA in Painting from the Maryland Institute College of Art in 2004. She has been included in countless group shows at galleries and museums worldwide as well as the subject of solo exhibitions at Hauser & Wirth and Spelman College Museum of Fine Art, among others. Sherald lives in Baltimore and New Jersey.

A celebratory visual chronicle of the many ways in which Black Americans have used portraiture to envision themselves

Spanning over two centuries from around 1800 to the present day, Black American Portraits chronicles the ways in which Black Americans have used portraiture to envision themselves in their own eyes. Remembering Two Centuries of Black American Art, curated by David C. Driskell at LACMA 45 years ago, this book is a companion to the exhibition of the same name that reframes portraiture to center Black American subjects, sitters and spaces. This selection of approximately 140 works from LACMA’s permanent collection highlights emancipation, scenes from the Harlem Renaissance, portraits from the Civil Rights and Black Power eras, multiculturalism of the 1990s and the spirit of Black Lives Matter.
Countering a visual culture that often demonizes Blackness and fetishizes the spectacle of Black pain, these images center love, abundance, family, community and exuberance. Black American Portraits depicts Black figures in a range of mediums such as painting, drawing, prints, photography, sculpture, mixed media and time-based media. In addition to work by artists of African descent, Black American Portraits includes several works by artists of other backgrounds who have exemplified a thoughtfulness about, sensitivity toward and commitment to Black artists, communities, histories and subjects.
Artists include: Alvin Baltrop, Edward Biberman, Bisa Butler, Jordan Casteel, Njideka Akunyili Crosby, Bruce Davidson, Stan Douglas, rafa esparza, Shepard Fairey, Charles Gaines, Sargent Claude Johnson, Deana Lawson, Kerry James Marshall, Alice Neel, Lorraine O'Grady, Catherine Opie, Amy Sherald, Ming Smith, Henry Taylor, Tourmaline, Mickalene Thomas, James Van Der Zee, Carrie Mae Weems, Charles White, Kehinde Wiley and Deborah Willis.

A chorus of Black student voices that renders a new story of US education—one where racial barriers and violence are confronted by freedom dreaming and resistance

Black students were forced to live and learn on the Black side of the color line for centuries, through the time of slavery, Emancipation, and the Jim Crow era. And for just as long—even through to today—Black students have been seen as a problem and a seemingly troubled population in America’s public imagination.

Through over one hundred firsthand accounts from the nineteenth and twentieth centuries, Professor Jarvis Givens offers a powerful counter-narrative in School Clothes to challenge such dated and prejudiced storylines. He details the educational lives of writers such as Zora Neale Hurston and Ralph Ellison; political leaders like Mary McLeod Bethune, Malcolm X, and Angela Davis; and Black students whose names are largely unknown but who left their marks nonetheless. Givens blends this multitude of individual voices into a single narrative, a collective memoir, to reveal a through line shared across time and circumstance: a story of African American youth learning to battle the violent condemnation of Black life and imposed miseducation meant to quell their resistance.

School Clothes elevates a legacy in which Black students are more than the sum of their suffering. By peeling back the layers of history, Givens unveils in high relief a distinct student body: Black learners shaped not only by their shared vulnerability but also their triumphs, fortitude, and collective strivings.