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In this highly anticipated sequel to the Edgar award winner Down the River Unto the Sea, Joe King Oliver is entangled in a dangerous case when he's asked to investigate whether a white nationalist is being unjustly set up.

When friend of the family and multi-billionaire Roger Ferris comes to Joe with an assignment, he’s got no choice but to accept, even if the case is a tough one to stomach. White nationalist Alfred Xavier Quiller has been accused of murder and the sale of sensitive information to the Russians. Ferris has reason to believe Quiller’s been set up and he needs King to see if the charges hold.

This linear assignment becomes a winding quest to uncover the extent of Quiller’s dealings, to understand Ferris’ skin in the game, and to get to the bottom of who is working for whom. Even with the help of bodyguard and mercenary Oliya Ruez—no regular girl Friday—the machine King’s up against proves relentless and unsparing. As King gets closer to exposing the truth, he and his loved ones barrel towards grave danger.

Mosley once again proves himself a "master of craft and narrative" (National Book Foundation) in this carefully plotted mystery that is at once a classic caper, a family saga and an examination of fealty, pride and how deep debt can go.

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Nova Albright was going to be the first Black homecoming queen at Lovett High—but now she's dead. Murdered on coronation night. Fans of One of Us Is Lying and The Other Black Girl will love this unputdownable thriller.

Nova Albright, the first Black homecoming queen at Lovett High, is dead. Murdered the night of her coronation, her body found the next morning in the old slave cemetery she spent her weekends rehabilitating.

Tinsley McArthur was supposed to be queen. Not only is she beautiful, wealthy, and white, it’s her legacy—her grandmother, her mother, and even her sister wore the crown before her. Everyone in Lovett knows Tinsley would do anything to carry on the McArthur tradition.

No one is more certain of that than Duchess Simmons, Nova’s best friend. Duchess’s father is the first Black police captain in Lovett. For Duchess, Nova’s crown was more than just a win for Nova. It was a win for all the Black kids. Now her best friend is dead, and her father won’t face the fact that the main suspect is right in front of him. Duchess is convinced that Tinsley killed Nova—and that Tinsley is privileged enough to think she can get away with it. But Duchess’s father seems to be doing what he always does: fall behind the blue line. Which means that the white girl is going to walk.

Duchess is determined to prove Tinsley’s guilt. And to do that, she’ll have to get close to her.

But Tinsley has an agenda, too.

Everyone loved Nova. And sometimes, love is exactly what gets you killed.

The home that belonged to Angela Toussaint's late grandmother is so beloved that the townspeople in Sacajawea, Washington call it the Good House. But that all changes one summer when an unexpected tragedy takes place behind its closed doors, and the Toussaint's family history--and future--is dramatically transformed. 

Angela has not returned to the Good House since her son, Corey, died there two years ago. But now, Angela is finally ready to return to her hometown and go beyond the grave to unearth the truth about Corey's death. Could it be related to a terrifying entity Angela's grandmother battled seven decades ago? And what about the other senseless calamities that Sacajawea has seen in recent years? Has Angela's grandmother, an African American woman reputed to have powers, put a curse on the entire community? 

A thrilling exploration of secrets, lies, and divine inspiration, The Good House will haunt readers long after its chilling conclusion.

Lone Women meets Sorrowland in this sinister and surreal Southern Gothic debut about a woman who flees her family home for the uncanny woods of northern Georgia and must now contend with haints, ghosts, and a literal beast in the woods.

When Judith Rice fled her childhood home, she thought she’d severed her abusive mother’s hold on her. She didn’t have a plan or destination, just a desperate need to escape. Drawn to the forests of northern Georgia, Jude finds shelter in a house as haunted by its violent history as she is by her own.

Jude embraces the eccentricities of the dilapidated house, soothing its ghosts and haints, honoring its blood-soaked land. And over the next thirteen years, Jude blossoms from her bitter beginnings into a wisewoman, a healer.

But her hard-won peace is threatened when an enigmatic woman shows up on her doorstep. The woman is beautiful but unsettling, captivating but uncanny. Ensnared by her desire for this stranger, Jude is caught off guard by brutal urges suddenly simmering beneath her skin. As the woman stirs up memories of her escape years ago, Jude must confront the calls of violence rooted in her bloodline

Haunting and thought-provoking, On Sunday She Picked Flowers is a propulsive debut exploring retribution, family trauma, and the power of building oneself back up after breaking down.

We're meeting to discuss Bat Eater and Other Names for Cora Zeng by Kylie Lee Baker!

BOOK CLUB MEETING DEETS

When: Thursday, October 28 @ 7PM CST

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY to let us know you plan to attend! Support the Romance Book Club by purchasing a copy of the book from Kindred Stories here!

ABOUT BAT EATER AND OTHER NAMES FOR CORA ZENG

This unsettling adult debut from Kylie Lee Baker follows a biracial crime scene cleaner who’s haunted by both her inner trauma and hungry ghosts as she's entangled in a series of murders in New York City's Chinatown.

In this explosive horror novel, a woman is haunted by inner trauma, hungry ghosts, and a serial killer as she confronts the brutal violence experienced by East Asians during the pandemic.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train.

Before fleeing the scene, the murderer shouted two words: bat eater.

So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table. Of course, ever since Delilah was killed in front of her, Cora can’t be sure what's real and what’s in her head.

She pushes away all feelings and ignores the advice of her aunt to prepare for the Hungry Ghost Festival, when the gates of hell open. But she can't ignore the dread in her stomach as she keeps finding bat carcasses at crime scenes, or the scary fact that all her recent cleanups have been the bodies of East Asian women.

As Cora will soon learn, you can’t just ignore hungry ghosts.

In this explosive horror novel, a woman is haunted by inner trauma, hungry ghosts, and a serial killer as she confronts the brutal violence experienced by East Asians during the pandemic.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train.

Before fleeing the scene, the murderer shouted two words: bat eater.

So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table. Of course, ever since Delilah was killed in front of her, Cora can’t be sure what's real and what’s in her head.

She pushes away all feelings and ignores the advice of her aunt to prepare for the Hungry Ghost Festival, when the gates of hell open. But she can't ignore the dread in her stomach as she keeps finding bat carcasses at crime scenes, or the scary fact that all her recent cleanups have been the bodies of East Asian women.

As Cora will soon learn, you can’t just ignore hungry ghosts.

For fans of Stephen Graham Jones and Gretchen Felker-Martin, Bat Eater and Other Names for Cora Zeng is a wildly original, darkly humorous, and subversive contemporary novel from a striking new voice in horror.

When the body of reality TV star Desiree Pierce is found on a playground in the Bronx the morning after her twenty-fifth birthday party, the police and the media are quick to declare her death an overdose. A tragedy, certainly, but not a crime.

Yet Columbia grad student Lena—principled, headstrong, and allergic to the spotlight—knows that can’t be the case. Despite the bitter truth that the two hadn’t spoken in two years, they were half-sisters. Lena knew Desiree. And Desiree would never travel above 125th Street. Something is very wrong with the facts. So why is no one listening?

While the two sisters had been torn apart by Desiree’s partying and by their difficult father, Lena becomes determined to find justice for Desiree. Even if that means untangling her family’s darkest secrets—or ending up dead herself.

“American Spy updates the espionage thriller with blazing originality.”—Entertainment Weekly
“There has never been anything like it.”—Marlon James, GQ
“So much fun . . . Like the best of John le Carré, it’s extremely tough to put down.”—NPR

NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY CHICAGO TRIBUNE AND ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • Time • NPR • Entertainment Weekly • Esquire • BuzzFeed • Vulture • Real Simple • Good Housekeeping • The New York Public Library

What if your sense of duty required you to betray the man you love? 

It’s 1986, the heart of the Cold War, and Marie Mitchell is an intelligence officer with the FBI. She’s brilliant, but she’s also a young black woman working in an old boys’ club. Her career has stalled out, she’s overlooked for every high-profile squad, and her days are filled with monotonous paperwork. So when she’s given the opportunity to join a shadowy task force aimed at undermining Thomas Sankara, the charismatic revolutionary president of Burkina Faso whose Communist ideology has made him a target for American intervention, she says yes. Yes, even though she secretly admires the work Sankara is doing for his country. Yes, even though she is still grieving the mysterious death of her sister, whose example led Marie to this career path in the first place. Yes, even though a furious part of her suspects she’s being offered the job because of her appearance and not her talent.

In the year that follows, Marie will observe Sankara, seduce him, and ultimately have a hand in the coup that will bring him down. But doing so will change everything she believes about what it means to be a spy, a lover, a sister, and a good American.

Inspired by true events—Thomas Sankara is known as “Africa’s Che Guevara”—American Spy knits together a gripping spy thriller, a heartbreaking family drama, and a passionate romance. This is a face of the Cold War you’ve never seen before, and it introduces a powerful new literary voice.

NOMINATED FOR THE NAACP IMAGE AWARD • Shortlisted for the Center for Fiction First Novel Prize

“Spy fiction plus allegory, and a splash of pan-Africanism. What could go wrong? As it happens, very little. Clever, bracing, darkly funny, and really, really good.”—Ta-Nehisi Coates

“Inspired by real events, this espionage thriller ticks all the right boxes, delivering a sexually charged interrogation of both politics and race.”—Esquire

“Echoing the stoic cynicism of Hurston and Ellison, and the verve of Conan Doyle, American Spy lays our complicities—political, racial, and sexual—bare. Packed with unforgettable characters, it’s a stunning book, timely as it is timeless.”—Paul Beatty, Man Booker Prizewinning author of The Sellout

A fast-paced, completely delightful new mystery about what happens when parents get a little too involved in their kids' schools, from NAACP Image Award nominee Elise Bryant.

Mavis Miller is not a PTA mom. She has enough on her plate with her feisty seven-year-old daughter, Pearl, an exhausting job at a nonprofit, and the complexities of a multigenerational household. So no one is more surprised than Mavis when she caves to Trisha Holbrook, the long-reigning, slightly terrifying PTA president, and finds herself in charge of the school’s brand-new DEI committee.

As one of the few Black parents at this California elementary school, Mavis tries to convince herself this is an opportunity for real change. But things go off the rails at the very first meeting, when the new principal's plans leave Trisha absolutely furious. Later that night, when Mavis spies Trisha in yellow rubber gloves and booties, lugging cleaning supplies and giant black trash bags to her waiting minivan, it’s only natural that her mind jumps to somewhere it surely wouldn’t in the light of day.

Except Principal Smith fails to show up for work the next morning, and has been MIA since the meeting. Determined to get to the bottom of things, Mavis, along with the school psychologist with the great forearms (look, it’s worth noting), launches an investigation that will challenge her views on parenting, friendship, and elementary school politics.

Brilliantly written, It's Elementary is a quick-witted, escapist romp that perfectly captures just how far parents will go to give their kids the very best, all wrapped in a mystery that will leave you guessing to the very end.

The first in a thrilling new series from Emmy Award–winning journalist Tamron Hall, in which a reporter unravels the disturbing mystery around the deaths of two black girls, the work of a serial killer terrorizing Chicago.

When crime reporter Jordan Manning leaves her hometown in Texas to take a job at a television station in Chicago, she’s one step closer to her a dream: a coveted anchor chair on a national network.

Jordan is smart and aggressive, with unabashed star-power, and often the only woman of color in the newsroom. Her signature? Arriving first on the scene—in impractical designer stilettos. Armed with a master’s degree in forensic science and impeccable instincts, Jordan has thus far been able to balance her dueling motivations: breaking every big story—and giving voice to the voiceless.

From her time reporting in Texas, she’s sure she has covered the vilest of human behaviors, but nothing has prepared her for Chicago. You see, Jordan is that rare breed of journalist who can navigate a crime scene as well as she can a newsroom—often noticing what others tend to miss. Again and again, she is called to cover the murders of black females, many of them sexually assaulted, most brutalized, and all of them quickly forgotten.

All until Masey James—the story that Jordan just can’t shake, try as she might. A fifteen-year-old girl whose body was found in an abandoned lot, Masey has come to represent for Jordan all of the frustration that her job—with its required distance—often forces her to repress. Putting the rest of her workload and her (fraying) personal life aside, Jordan does everything she can to give the story the coverage it desperately requires, and that a missing black child would so rarely get. Three young boys are eventually charged with Masey’s murder, but Jordan remains unconvinced.

There’s a serial killer on the loose, Jordan believes, and he’s hiding in plain sight.

The Mexican board game of Lotería is a game of chance—similar to bingo. However, in Lotería instead of matching up numbers on a game board, players match up images. 

There are 54 cards in the Lotería game, and for this short story collection you will find one unique story per card based on a Latin American myth, folklore, superstition, or belief—with a slant towards the paranormal and horrific. In this deck of cards you will find murderers, ghosts, goblins and ghouls. This collection features creatures and monsters, vampires, werewolves and more.

Many of these legends existed long before their European counterparts—passed throughout the Americas via word of mouth, collected just like the tales the Brothers Grimm. These are indeed fairy tales—Latin American fairy tales—but with a horrifying slant.

Featuring A Rage in Harlem, The Real Cool Killers, The Crazy Kill, & Cotton Comes To Harlem

A one-volume selection of four novels in a legendary detective series—blistering, groundbreaking capers set in Harlem's criminal underworld—by master crime writer Chester Himes A friend and contemporary of Richard Wright and James Baldwin—and every bit their equal—Chester Himes is the acclaimed author of literary novels, stories, and essays, as well as the classic crime fiction series for which he is best known, featuring detectives Coffin Ed Johnson and Grave Digger Jones. Himes authored nine novels in the Harlem Detectives series, and in these four popular, accomplished installments, his cold, wisecracking sleuths are thrown into a brutal, murderous world, full of conniving con men, gun-toting gangsters, and opium-smoking preachers. Himes's vision of Harlem's criminal underground is both riotous entertainment, enriched by his deftly plotted mysteries and scintillating dialogue, and a penetrating look into the fraught tensions of race in postwar America. Everyman's Library pursues the highest production standards, printing on acid-free paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

*Ships in 7-10 Business Days*

Winter 1916

The wind whips against her face. Snowflakes stick to her hair, her cheeks, her eyelashes.

She’s disoriented as she tries to find her way home. The sun set at four in the afternoon, but it’s much later now. It’s so dark that it feels as if blackness has swallowed up the city. She’s making her way down the streets, relying on streetlamps and muscle memory. It’s impossible to see in the snow.

She knows two things: first, that she’s going to be in big trouble for being so late; second, that it’s not going to be easy to locate her house in this terrible storm. It’s a small home. She’s the oldest of four girls. The youngest are twins—­high energy and overly demanding of her patience. It’s exhausting to keep them in line. They don’t behave as they’re supposed to. Even worse, they’re all crammed into one bedroom.

They live with their widowed father and his sister. Her aunt is strict, but her father is ruthless. He works in the church and has high standards for his children. She also suspects he resents all of them for not being boys. He can snap at any time, for any reason. Anything she can do to protect the twins, she will do.

What’s the world like outside of this place? she wonders.

Maybe someday she’ll find out.

Maybe not.

From the Bram Stoker award-nominated author of The Spite House comes a bone-chilling new novel about a private investigator hired by a mysterious billionaire to discover why he can’t die.

When private investigator Shyla Sinclair is invited to the looming mansion of mysterious Texan tycoon Saxton Braith, she’s more than a little suspicious. The last thing she expects to see that night is Braith’s assistant driving an iron rod straight through the back of his skull. Scratch that—the last thing she expects to see is Braith’s resurrection afterward.

Braith can’t die, it turns out, but he has no explanation for his immortality, and very few intact memories of his past. Which is why he wants to pay Shyla millions to investigate him, and bring his long-buried history to light.

Shyla can’t help but be intrigued, but she’s also trapped by the offer. Braith has made it clear that he knows she’s the only person he can trust with his secret, because he knows all about hers.

Bold, atmospheric, and utterly frightening, Johnny Compton’s Dead First is spine-chilling supernatural horror about the pursuit of power and the undying need for reckoning.

Welcome to the Ho-Lee Noodle House, where the Chinese food is to die for. . .

The last place Lana Lee thought she would ever end up is back at her family’s restaurant. But after a brutal break-up and a dramatic workplace walk-out, she figures that helping wait tables is her best option for putting her life back together. Even if that means having to put up with her mother, who is dead-set on finding her a husband.

Lana’s love life soon becomes yesterday’s news once the restaurant’s property manager, Mr. Feng, turns up dead―after a delivery of shrimp dumplings from Ho-Lee. But how could this have happened when everyone on staff knew about Mr. Feng’s severe, life-threatening shellfish allergy? Now, with the whole restaurant under suspicion for murder and the local media in a feeding frenzy―to say nothing of the gorgeous police detective who keeps turning up for take-out―it’s up to Lana to find out who is behind Feng’s killer order. . . before her own number is up.

“Vivien Chien serves up a delicious mystery with a side order of soy sauce and sass. A tasty start to a new mystery series!” ―Kylie Logan, bestselling author of Gone with the Twins

"Death by Dumpling is a fun and sassy debut with unique flavor, local flair, and heart.” ―Amanda Flower, Agatha Award--winning author of Lethal Licorice

A classic of politics, murder, and espionage "Watershed has all the makings of a social thriller...In this novel about water and the struggle for a life free of injustice, the mix doesn't just work, it flows." — Alan Cheuse, National Public Radio "It’s hard . . . to imagine a novelist today with fresher eyes than Percival Everett."―Christopher Borrelli, Chicago Tribune On a windswept landscape somewhere north of Denver, Robert Hawks, a feisty and dangerously curious hydrologist, finds himself enmeshed in a fight over Native American treaty rights. What begins for Robert as a peaceful fishing interlude ends in murder and the disclosure of government secrets. Everett mines history for this one, focusing on the relationship between Native American activists and Black Panther groups who bonded over their shared enemies in the 1960s Civil Rights movement. Watershed is an excellent example of Percival Everett’s famed bitingly political narrative style.

A clever and hilarious new mystery about a mother who thinks she has to do it all—even solve a murder—from the author of It's Elementary

After rage quitting her job, Mavis finally has time to get all the rest she’s been putting off. Or she should have the time. Hypothetically. Except she’s taken on a new role: Supermom. Her hours are filled with chauffeuring her daughter, Pearl, around to her extracurricular activities, somehow ending up class mom, and…investigating another mystery?

When Coach Cole, the director of the kids’ soccer program, drops dead on a sunny Saturday morning, no one suspects foul play. However, the police soon discover something suspicious left on the field, making it clear that someone had it in for the coach. But who? Sure, parents got mad when he made their precious star athletes sit on the bench, but not that mad.

Mavis is determined to find out, even if it takes her into the dark, dangerous underbelly of gentle parents and MLM girlbosses. Plus, it’s an easy distraction from everything else going on. Like the panic attacks she keeps brushing off. Or the fact that she’s unemployed and totally lost as to what her purpose and path in life should be. And then there’s her ex-husband who’s back in town and doing everything she’s ever wanted, just as she’s beginning a new relationship. Mavis knows a murder investigation probably isn’t the self-care she needs right now. But how exactly are you supposed to take care of yourself when you don’t even know who you are anymore?

In the latest from “mystery master” Walter Mosley, a family member’s terminal illness leads P.I. Joe King Oliver to the investigation of his life: tracking down his long-lost father, and meanwhile, a new case pits King’s professional responsibility against his own moral code. (TheWashington Post)

Joe King Oliver’s beloved Grandma B has found a tumor, and at her age, treatment is high-risk. She’s lived life fully and without regrets, and now has only a single, dying wish: to see her long-lost son. King has been estranged from his father, Chief Odin Oliver, since he was a young boy. He swore to never speak to the man again when he was taken away in handcuffs. But now, Grandma B’s pure ask has opened King’s heart, and through his hunt, he gains a deeper understanding of his father as a complicated, righteous man—a man defined by women, a man protected by women, a man he wants to know. Although Chief was released from prison years ago, he’s been living underground ever since. Now, King must not only find his father, but prove his innocence, and protect the future of his entire family.

Simultaneously, King finds himself in a moral bind. Marigold Hart, the wife of a powerful Californian billionaire, has gone missing, along with their seven-year-old daughter. Orr is brutish and dangerous, and King realizes after locating her that it’s in her best interest to stay hidden. But are his motives pure? There is something magnetic about Marigold; he can’t help but want her near.  

In the latest installment in the Joe King Oliver series, no good deed goes unpunished. Emotionally stirring, pulse-pounding, and undeniably sexy, Been Wrong So Long It Feels Like Right shows Walter Mosley at his best.

In the vein of Get Out and Razorblade Tears, a feast of noir fiction and probing social commentary that asks us to consider what would happen if reparations were finally charged and exacted. Nate Evers, a young black political activist, struggles with rage as his people are still being killed in the streets 62 years after Emmett Till. When his little cousin is murdered, Nate shuns the graffiti murals, candlelight vigils, and Twitter hashtags that are commonplace after these senseless deaths. Instead, he leads 3 grief-stricken friends on a mission of retribution, kidnapping the descendants of long-ago perpetrators of hate crimes, confronting the targets with their racist lineages, and forcing them to pay reparations to a community fund. For 3 of the group members, the results mean justice; for Nate – pure revenge. Not all targets go quietly into the night, though, and Nate and his friends' world spirals out of control when they confront the wrong man. Now the leader of a white supremacist group is hot on their tail as is a jaded lawman with some disturbingly racist views of his own. As the 4 vigilantes fight to thwart their ruthless pursuers, they’re forced to accept an age-old truth: "Before you embark on a journey of revenge, dig two graves." Smoke Kings is a powerful and propulsive novel with a diverse and unforgettable cast of characters. Like Steph Cha’s Your House Will Pay it explores decades of racial tensions through a fictional landscape where the line between justice and revenge is blurred.

Black feminist intersectional horror at its rawest...

At its core, the horror genre is an effective vehicle for exploring human behavior. From within its terrifying boundaries, and lack thereof, we can examine monstrosity. We can determine how monsters are labeled, analyze the actions of those deemed monstrous, and prophesy the impacts this labeling and actions have on the world around us.

Monsters are personal. Monsters are universal. These facts create an intriguing juxtaposition where the things deemed monstrous or frightening can be shaped by personal experiences, while also representing many aspects of the human condition; our fears are much more similar than dissimilar. This means my monsters are absolutely like yours: they are our collective nightmares. My Monsters Ain't Like Yours reflects this irony through Black feminist intersectional horror at its rawest.

We're meeting to discuss The House Guests by Amber and Danielle Brown!

BOOK CLUB MEETING DEETS

When: Tuesday, February 24 @ 7PM CST

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY to let us know you plan to attend! Support the Romance Book Club by purchasing a copy of the book from Kindred Stories here!

ABOUT THE HOUSE GUESTS

Essence bestselling author Kayla Perrin delivers a novel of suspense where a night of revenge turns deadly.

"I was thinking of some kind of initiation. Tailored just for her. The kind that will teach her a lesson not to mess with me."
--from We'll Never Tell

Shandra James is a man stealer. It's a sport to her, a game that she always wins. As a pledge of the exclusive Alpha Sigma Pi sorority, she should know her place, and know not to throw herself at a sister's boyfriend. But she's marked a new target: Henry Reid.

Henry's fiancée, Phoebe, and her sorority sisters, Miranda and Camille, decide to teach Shandra a lesson one night. A lesson that involves humiliation but nothing more. But unexpectedly the lesson turns deadly and the three women find themselves facing three new rules: Never mention what happened that night, protect each other, and tell no one. Yet when a murderer comes calling, they each discover that rules are meant to be broken.

We'll Never Tell is Kayla Perrin's most provocative, suspenseful novel yet.

Award-winning author Wanda Morris returns with a powerful, haunting thriller following a lawyer who after the mysterious disappearance of a local landowner and the death of his sister just months before, uncovers a conspiracy that dates back to Reconstruction and persists in half the United States today.

Deena Wood’s life has fallen apart in the aftermath of losing her beloved mother, her marriage, and her prestigious job at an Atlanta law firm. She needs what the Geechee people of coastal Georgia call a “dayclean,” a fresh start.

She returns to her childhood home in Brunswick, Georgia, to heal. But her return is anything but the respite she thought it might be. To make peace with all her loss, she often drives through the city. One day, she unwittingly finds herself on the oceanfront property of a loner widower who is fighting to keep land that has been in his family since the end of the Civil War. He threatens her and warns her to never return. But shortly after, he disappears, and his very expensive property is quickly put up for sale. Curious about what has happened to the man, Deena digs into his disappearance and finds a family legacy at risk. What starts out as a bit of curious snooping, turns into a deadly game of illegal land grabs and property redevelopment in poor and rural communities with dark and powerful forces at work.

Without realizing it, Deena finds herself caught up in a nightmarish scheme that threatens her community and her family. She’ll need help and finds it in a close but unlikely source because she knows she must do whatever it takes to stop the sinister forces at play before she becomes their next target.

From the award-winning anthologists, a beautiful new book of short stories, designed as a perfect gift for readers of the supernatural, and a lifetime of reading pleasure.

A new anthology of Folk Horror stories, covering a wide range of mythologies and dark corners from around the world, revealing tales from the shadows of isolation, creepy forests and horrors rising from the land itself. Award-winning anthologists Paul Kane and Marie O'Regan have commissioned and chosen an outstanding selection of stories with contributions from authors including Neil Gaiman, John Connolly, Adam L.G. Nevill, Alison Littlewood and Jen Williams. Five brand new stories have also been selected from open submissions.

The full list of featured authors in this book is: Linda D. Addison, V. Castro, John Connolly, Neil Gaiman, Helen Grant, Kathryn Healy, H.R. Laurence, Alison Littlewood, Lee Murray, Adam L.G. Nevill, Cavan Scott, Christina Sng, Benjamin Spada, Stephen Volk, Jen Williams, Katie Young and B. Zelkovich.

The Flame Tree Beyond and Within short story collections bring together tales of myth and imagination by modern and contemporary writers, carefully selected by anthologists, and sometimes featuring short stories from a single author. Overall, the series presents a wide range of diverse and inclusive voices with myth, folkloric-inflected short fiction, and an emphasis on the supernatural, science fiction, the mysterious and the speculative. The books themselves are gorgeous, with foiled covers, printed edges and published only in hardcover editions, offering a lifetime of reading pleasure.

The Body is a pulse-pounding supernatural horror story from bestselling author Bethany C. Morrow, where one woman must survive a series of bizarre and escalating attacks on her marriage.

Mavis broke from her parents’ congregation years ago, but she still hasn’t recovered. Their impossible expectations and soul-shredding critiques have dug deep into her mind, and she’s taunted by the knowledge that even when she’s done nothing wrong, she’ll never be right.

Now Mavis is afraid she’s about to lose the only thing she has: her husband, Jerrod. The man she’s always known was too good to be true. No one thinks she deserves him―not even after surviving the serial cheater they wanted her to stick by―and soon they’ll all find out they were right.

Mavis is already unraveling when a brush with death shows her what real fear looks like. Soon, she’s under constant attack from all directions. As the assaults turn increasingly vicious and bizarre, Mavis realizes that Hell isn’t reserved for the afterlife.

And sinner or not, no one is coming to save her.

We're meeting to discuss History Lessons by Zoe B. Wallbrook!

BOOK CLUB MEETING DEETS

When: Tuesday, September 24 @ 7PM CST

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY to let us know you plan to attend! Support the Romance Book Club by purchasing a copy of the book from Kindred Stories here!

ABOUT HISTORY LESSONS

A college history professor must solve her superstar colleague's murder before she becomes the next target in this funny, romantic debut mystery, perfect for readers of Janet Evanovich, Kellye Garrett, and Ali Hazelwood.

As a newly minted junior professor, Daphne Ouverture spends her days giving lectures on French colonialism, working on her next academic book, and going on atrocious dates. Her small world suits her just fine. Until Sam Taylor dies.

The rising star of Harrison University’s anthropology department was never one of Daphne’s favorites, despite his popularity. But that doesn’t prevent Sam’s killer from believing Daphne has something that belonged to Sam—something the killer will stop at nothing to get.

Between grading papers and navigating her disastrous love life, Daphne embarks on her own investigation to find out what connects her to Sam’s murder. With the help of an alluring former-detective-turned-bookseller, she unravels a deadly cover-up on campus.

This well-crafted, voice-driven mystery introduces an unforgettable crime fiction heroine.

Winner of the Bram Stoker Award for Best Novel

In her quickly gentrifying rural lake town Jade sees recent events only her encyclopedic knowledge of horror films could have prepared her for in this latest chilling novel that “will give you nightmares. The good kind, of course” (BuzzFeed) from the Jordan Peele of horror literature, Stephen Graham Jones.

“Some girls just don’t know how to die…”

Shirley Jackson meets Friday the 13th in My Heart Is a Chainsaw, written by the New York Times bestselling author of The Only Good Indians Stephen Graham Jones, called “a literary master” by National Book Award winner Tananarive Due and “one of our most talented living writers” by Tommy Orange.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

Jade Daniels is an angry, half-Indian outcast with an abusive father, an absent mother, and an entire town that wants nothing to do with her. She lives in her own world, a world in which protection comes from an unusual source: horror movies…especially the ones where a masked killer seeks revenge on a world that wronged them. And Jade narrates the quirky history of Proofrock as if it is one of those movies. But when blood actually starts to spill into the waters of Indian Lake, she pulls us into her dizzying, encyclopedic mind of blood and masked murderers, and predicts exactly how the plot will unfold.

Yet, even as Jade drags us into her dark fever dream, a surprising and intimate portrait emerges…a portrait of the scared and traumatized little girl beneath the Jason Voorhees mask: angry, yes, but also a girl who easily cries, fiercely loves, and desperately wants a home. A girl whose feelings are too big for her body. My Heart Is a Chainsaw is her story, her homage to horror and revenge and triumph.

A USA Today bestseller
Edgar Award Winner for Best Original Paperback
Audie Award Winner for Mystery
Libby Award Winner for Best Mystery

A lonely shopkeeper takes it upon herself to solve a murder in the most peculiar way in this captivating mystery by Jesse Q. Sutanto, bestselling author of Dial A for Aunties.

Vera Wong is a lonely little old lady—ah, lady of a certain age—who lives above her forgotten tea shop in the middle of San Francisco’s Chinatown. Despite living alone, Vera is not needy, oh no. She likes nothing more than sipping on a good cup of Wulong and doing some healthy detective work on the Internet about what her Gen-Z son is up to.

Then one morning, Vera trudges downstairs to find a curious thing—a dead man in the middle of her tea shop. In his outstretched hand, a flash drive. Vera doesn’t know what comes over her, but after calling the cops like any good citizen would, she sort of . . . swipes the flash drive from the body and tucks it safely into the pocket of her apron. Why? Because Vera is sure she would do a better job than the police possibly could, because nobody sniffs out a wrongdoing quite like a suspicious Chinese mother with time on her hands. Vera knows the killer will be back for the flash drive; all she has to do is watch the increasing number of customers at her shop and figure out which one among them is the killer.

What Vera does not expect is to form friendships with her customers and start to care for each and every one of them. As a protective mother hen, will she end up having to give one of her newfound chicks to the police?

At Camp Mirror Lake, terror is the name of the game . . . but can you survive the night?

This heart-pounding slasher by New York Times bestselling author Kalynn Bayron is perfect for fans of Fear Street.

Charity has the summer job of her dreams, playing the “final girl” at Camp Mirror Lake. Guests pay to be scared in this full-contact terror game, as Charity and her summer crew recreate scenes from a classic slasher film, The Curse of Camp Mirror Lake. The more realistic the fear, the better for business.

But the last weekend of the season, Charity’s co-workers begin disappearing. And when one ends up dead, Charity’s role as the final girl suddenly becomes all too real. If Charity and her girlfriend Bezi hope to survive the night, they’ll need figure out what this killer is after. As they unravel the bloody history of the real Mirror Lake, Charity discovers that there may be more to the story than she ever suspected . . .

At the darkly glamorous height of the Roaring 20s, an independent Black intellectual and her bi-racial foster child are immersed in the vibrant world of the Harlem Renaissance – and a shocking murder on Striver’s Row – in this thrilling Jazz Age mystery for reader of Nekesia Afia, Jacqueline Winspear, Avery Cunningham’s The Mayor of Maxwell Street.

1926: Harriet Stone, a liberated, educated Black woman, and Lovey, the orphaned, biracial 12-year-old she is bound to protect, are Harlem-bound, embarking on a new, hopefully less traumatic chapter in their lives. They have been invited to move from Connecticut by Harriet’s cousin, Junetta Plum, who runs a boardinghouse for independent-minded single women.

It’s a bold move, since Harriet has never met Junetta, but the fatalities of the Spanish flu and other tragedies have already forced her and Lovey to face their worst fears. Alone but for each other, they have little left to lose—or so it seems as they arrive at sophisticated Junetta’s impressive brownstone.

Her cousin has a sharp edge, which makes Harriett slightly uncomfortable. Still, after retiring to her room for the night, she finally falls asleep—only to awaken to Junetta arguing with someone downstairs. In the morning, she makes a shocking discovery at the foot of the stairs.

What ensues will lead Harriet to question Junetta’s very identity—and to wonder if she and Lovey are in danger, as well. It will also tie Harriet to five strangers. Among them, Harriet is sure someone knows something. What she doesn’t yet know is that one will play a crucial role in helping her investigate her cousin’s murder . . . that she will be tied to the others in ways she could never imagine . . . and that her life will take off in a startling new direction. . . .