A magical girl-gone-bad and a renegade mech pilot must stay on a date forever, even if it means destroying the world. Don't you want to help them?

A Ms. Magazine Most Anticipated Feminist Book of 2026 • A them Most Anticipated LGBTQ+ Book of 2026

"Delicious, insane, intoxicating." —Maya Deane, author of Wrath Goddess Sing

"This Is How You Lose the Time War but on crack." —Jace Molloy

Acrasia is in the ultimate long-distance relationship: with Opus Zhao, a man from another universe. She was a trans girl who was also an intergalactic moth-goddess. He was a trans guy who piloted a giant robotic tiger. They hated each other, then fell in love, then their universes moved apart. Now, years later, he's turned up in her dimension again. What won’t she do to keep him there? 

Combining Sailor Moon, Sex and the City, and House of Leaves, this riotous enemies-to-lovers romantasy roars off the page in the genre-exploding, galaxy-spanning, quick-quipping retro nostalgia futuristic thrill ride of a lifetime. Give in, succumb (you know you want to) to the unstoppable world of Plastic, Prism, Void.

Celebrate the release of Love Cake with author, Douglas Bell!

EVENT DEETS

When: Saturday, May 18, 2024 at 2 PM

Where: Kindred Stories Reading Garden (2304 Stuart Street, HTX, 77004)

How: RSVP ONLY to reserve your seat. RSVP WITH BOOK to support the author and our programming.

ABOUT THE BOOK

Love Cake is contemporary fiction about Bryan Hicks and his transgender girlfriend, Nadia Brooks. Together they own and operate a bakery in conservative Texas. At its red velvet core, Love Cake is a story about how love persists in the face of prejudice and about the value of found family. It speaks to the power of loving people despite the mistakes they make.

With thought-provoking insight, Douglas Bell in Love Cake, the second book of The Cakes Series duology and the sequel to Cake Walk, rings a bell again on an untold story that teaches how we can find the courage to show up for each other as the world tries to tear us apart.

ABOUT THE AUTHOR

Douglas Bell is a fiction writer based in the bustling city of Houston, Texas. He draws inspiration from a variety of sources, including the teachings of Buddha and the Dalai Lama, as well as the powerful storytelling of James Baldwin. When he's not writing, you can usually find him hitting the gym, experimenting with new recipes in the kitchen, or staying up to date with the latest fashion trends. 

This “vivid, moving, funny, and heartfelt” memoir tells the story of Curtis Chin’s time growing up as a gay Chinese American kid in 1980’s Detroit (Lisa Ko, author of The Leavers).

Nineteen eighties Detroit was a volatile place to live, but above the fray stood a safe haven: Chung’s Cantonese Cuisine, where anyone—from the city’s first Black mayor to the local drag queens, from a big-time Hollywood star to elderly Jewish couples—could sit down for a warm, home-cooked meal. Here was where, beneath a bright-red awning and surrounded by his multigenerational family, filmmaker and activist Curtis Chin came of age; where he learned to embrace his identity as a gay ABC, or American-born Chinese; where he navigated the divided city’s spiraling misfortunes; and where—between helpings of almond boneless chicken, sweet-and-sour pork, and some of his own, less-savory culinary concoctions—he realized just how much he had to offer to the world, to his beloved family, and to himself.

Served up by the cofounder of the Asian American Writers’ Workshop and structured around the very menu that graced the tables of Chung’s, Everything I Learned, I Learned in a Chinese Restaurant is both a memoir and an invitation: to step inside one boy’s childhood oasis, scoot into a vinyl booth, and grow up with him—and perhaps even share something off the secret menu.

An American Library Association Stonewall Honor Book—Israel Fishman Nonfiction Award
A 2024 Michigan Notable Book
Best Nonfiction Books of the Year—Kirkus Reviews
Best Books of the Year—Apple Books
 
TIME’s Most Anticipated Books of Fall 2023 • San Francisco Chronicle’s Highly Anticipated Books to Put on Your Radar This Fall 2023 • Washington Post’s Books to Read This Fall 2023 • Eater’s Best Food Books to Read 2023 • Lambda Literary Review’s October’s Most Anticipated LGBTQIA+ Literature

Two cheerleaders find themselves inconveniently tumbling head over heels for each other in this satirical, sapphic teen rom-com that’s Bring It On meets She Drives Me Crazy.

Oak Haven High doesn’t have cheerleaders—it has queerleaders.

It’s a fun coincidence that every new varsity cheerleader since Davie Cathee took the squad by storm three years ago is—or soon comes out as—queer.

But when a rumor sparks that this season, newly minted captain Davie has been specifically recruiting queer members only, Davie is accused of “discrimination” against straight students. She’s given an ultimatum: recruit a straight athlete for the team or the funding for their competitive cheer season will take a major tumble.

Enter Kendall Hayes, the edgy, mysterious new girl. When Davie sees that Kendall has a boyfriend, she quickly convinces her to join the squad. Problem solved.

Until she finds out that Kendall’s actually bisexual…and newly single.

Now Kendall and Davie are faced with having to keep those details under wraps until nationals, which only gets more complicated when they start falling hard and fast for each other. Can Kendall go back in the closet long enough to save the squad? Or will Davie find the courage to love her new crush out loud, even if it might mean the end of the queerleaders?

Love, one fitting at a time?

Calisha "Cal" Duke, a bespoke tailor with a dapper flair, thrives in her world of men's fashion. As a third-generation tailor, she feels pressure to uphold the sterling family tradition and name, but also wants to carve out a path that is uniquely hers.

When Rocky Beckford, a striking new client, requests a custom-made suit for a wedding, sparks fly, leaving Cal questioning her feelings and her reputation. This is the first time she's ever crushed hard on a client, and onanother stud.

As Cal and Rocky explore this unexpected connection together, will they find out if genuine chemistry transcends labels?

How do you find yourself when the world tells you that you don't exist?

Samra Habib has spent most of their life searching for the safety to be themself. As an Ahmadi Muslim growing up in Pakistan, they faced regular threats from Islamic extremists who believed the small, dynamic sect to be blasphemous. From their parents, they internalized the lesson that revealing their identity could put them in grave danger.

When their family came to Canada as refugees, Samra encountered a whole new host of challenges: bullies, racism, the threat of poverty, and an arranged marriage. Backed into a corner, their need for a safe space--in which to grow and nurture their creative, feminist spirit--became dire. The men in Samra's life wanted to police them, the women in their life had only shown them the example of pious obedience, and their body was a problem to be solved.

So begins an exploration of faith, art, love, and queer sexuality, a journey that takes them to the far reaches of the globe to uncover a truth that was within them all along. A triumphant memoir of forgiveness and family, both chosen and not, We Have Always Been Here is a rallying cry for anyone who has ever felt out of place and a testament to the power of fearlessly inhabiting one's truest self.

"A raw, beautiful story about surviving the impossible and learning how to move forward . . ." —Aiden Thomas, New York Times bestselling author of The Sunbearer Trials

When her mother refuses entry to a stranger named Richard at her father’s funeral, 17-year-old Mira Howard doesn’t understand why. But snooping through her father’s things reveals that Richard was her father’s boyfriend—a boyfriend she never knew about. In fact, Mira never even knew for sure that her dad was gay. Hoping to feel more connected to her late father, Mira reaches out to Richard without telling her mom, who is still angry from the divorce. As Mira and Richard become closer, Mira gains more and more insight into the side of her father that she never got to see.

Grieving that she never got to connect with her dad about their shared queerness, Mira asks that Richard teach her “how to be queer” while she navigates a new crush on her co-worker, which brings her out of her diary and into the real world.

But as Mira grows more confident in herself, she finds it hard to keep her relationship with Richard a secret, questioning why her family never talked about her father’s sexuality in the first place. Soon Mira has to decide if she wants to keep the peace or honor her father’s memory by being her truest self.

An epistolary novel told through diary entries, text messages, and book reviews, IN BETWEEN DAYS is a story about queerness, grief, and families—both ones we are born into and ones we create.

Zimbabwean girl meets gender-fluid Afro-Brit boy. They can't stand each other but fall hopelessly in love, before being traumatised into separate paths by their mutual prejudices

Shamiso is a young girl, thoughtful but uncertain, taken by her family from rural Zimbabwe to bustling Harare. As she grows up there, she watches the world: her distant, stern father, her angry stepmother and her father's strange, loving cousin, the elderly Jimson, who encourages Shamiso to discover her passion for art, her place in their family, and her voice in the world.

When she takes a leap to leave Zimbabwe behind for Brighton, England, Shamiso must find a new family and a new way of living. There she falls in love for the first time with George - whose female identity, Georgie, is everything Shamiso has ever wanted or needed. But can such happiness last, when neither of them knows yet who they truly are?

Quirky, challenging and mischievous, this tender coming-of-age story brilliantly examines selfhood, love and the many shapes family can take. From first moments to final steps, Shamiso is a thought-provoking, blazing work of modern existence and all its contradictions.

"This heartfelt sapphic romance is loaded with laugh-out-loud humor and the high-drama hijinks of a splashy telenovela." —Camille Perri, author of When Katie Met Cassidy

One wedding, two rivals and a whole lot of secrets…

As the daughter of Cuban immigrants, Isabella Valdes knows three things for certain:
* her late father’s restaurant is thriving
* she owns lots of designer things
* both of those statements are absolute lies to make her mother happy

Isabella would do anything to keep her father’s legacy alive, including attending her estranged cousin’s weeklong wedding extravaganza. Because once Sofia’s wealthy fiancé tastes the recipes Isa prepares from her father’s cherished journal, he’s sure to invest.

To Isa’s annoyance, she’ll be sharing a cabin with Valentina, the former friend turned rival who ruined her quinceañera. But Val is offering an unexpected deal—she’ll help Isa unravel an old family secret found in her father’s journal in return for help sabotaging the wedding and winning the heart of the bride.

Saying yes is a bad idea. Isa’s perfectionism meets its match in Val’s carefree demeanor, but as they work together, the usually responsible Isa can’t seem to say no to Val’s shenanigans. There’s no hiding from Val, no ignoring this complicated but undeniable connection that’s changing Isa’s beliefs about love, loyalty and just how much she owes to her family—and to herself…

A queer Palestinian refugee plans to come out at his elaborate birthday dinner party in this tragicomic modern reimagining of Virginia Woolf’s Mrs. Dalloway.

Firas Dareer wakes up on his twenty-third birthday with a sense of purpose: today he’ll jump from a Stage 3 to a Stage 6 in his self-determined Coming Out Scale, professing his sexuality to a captive audience of immediate and extended family, friends, acquaintances, coworkers, and neighbours. But despite the meticulously designed invitations, carefully chosen place settings and floral centerpieces, painstakingly curated playlist, and agonizingly fretted-over menu, factors begin to spin out of his control.

Threatening to thwart his big moment are his younger brother, whose mental fragility requires him to be monitored at all times; his cantankerous grandfather, who’s just completed his third escape from the retirement home; the Dareers’ embittered housekeeper (and Firas’s arch nemesis), who could scoop the story before he gets the chance; his harried boss, who on this of all days calls him into work at the architecture firm, where his colleagues share a talent for butchering his name; and his mother, whose accidental text message may have blown the cover of an illicit extra-marital affair. There’s also the fact that Firas too has found himself in a love triangle of sorts, choosing between soft and steady Tyrese and fiery Kashif, who makes a sport out of demonstrating how Palestinian he is.

As the future Firas has precisely architected for himself slips further out of his grasp, the past comes crashing in like a wrecking ball. Sharp, darkly funny, and full of surprises, Three Parties pays twisted homage to a literary classic, gleefully upends the western coming-out narrative, and sensitively explores the traumas and pressures faced by Palestinian immigrants—all in the span of a single life-changing day.

Winner of the Barbara DiBernard Prize in Fiction

Daddy Issues is a collection of moving and complex—yet simply and directly told—stories of queer Asian American experiences in Los Angeles. In many of these stories, the protagonists are artists and writers and other creative thinkers living on the fringe of survival, attempting to align a life of the imagination with the practical considerations of career, income, and family: a gay father who hasn’t come out to his young son; a social worker, numbed by the destitution of his clients, who finds himself lost in self-destruction; a trans man who returns home to a father with dementia to help his family pack as they are pushed out by gentrification; a husband who can only stand aside as his wife heals from a miscarriage; and a broke writer who learns to love his stories again.

The stories in Daddy Issues offer different contemplations on solitude—the good and the bad of it. Ultimately, this collection by Eric C. Wat is full of hope, and it shows how we can find the connections we need once we allow ourselves to become vulnerable.

In his debut collection Fantasia for the Man in Blue, Tommye Blount orchestrates a chorus of distinct, unforgettable voices that speak to the experience of the black, queer body as a site of desire and violence. A black man’s late-night encounter with a police officer—the titular “man in blue”—becomes an extended meditation on a dangerous erotic fantasy. The late Luther Vandross, resurrected here in a suite of poems, addresses the contradiction between his public persona and a life spent largely in the closet: “It’s a calling, this hunger / to sing for a love I’m too ashamed to want for myself.” In “Aaron McKinney Cleans His Magnum,” the convicted killer imagines the barrel of the gun he used to bludgeon Matthew Shepard as an “infant’s small mouth” as well as the “sad calculator” that was “built to subtract from and divide a town.” In these and other poems, Blount viscerally captures the experience of the “other” and locates us squarely within these personae.

A Coretta Scott King Honor Book

Three-time Newbery Honor author Jacqueline Woodson explores race and sexuality through the eyes of a compelling narrator

Melanin Sun has a lot to say. But sometimes it's hard to speak his mind, so he fills up notebooks with his thoughts instead. He writes about his mom a lot--they're about as close as they can be, because they have no other family. So when she suddenly tells him she's gay, his world is turned upside down. And if that weren't hard enough for him to accept, her girlfriend is white. Melanin Sun is angry and scared. How can his mom do this to him-- is this the end of their closeness? What will his friends think? And can he let her girlfriend be part of their family?

You can sparkle, shimmer, shine – just like Marsha did.

This vibrant and joyful picture book celebrates the legacy of Marsha P. Johnson, a Black trans woman and activist who played an instrumental role during the Stonewall Riots that lead to PRIDE month, written by award-winning filmmaker and artist Tourmaline.

You wouldn’t even believe the things Saint Marsha used to get up to—she had more of a zest for life than anyone I’ve ever known, and the biggest heart, too.

It’s a hot summer day and New York City is buzzing like a hive of eager honeybees. From Riis Beach to the Flower District, into the West Village and over to the Brooklyn Museum, folks young and old embrace the resolute and love-filled spirit of icon activist Marsha P. Johnson in all that they do.

Told through the eyes of an old friend and with bright, buoyant artwork, this jubilant story celebrates the indelible stamp that Marsha P. Johnson left on New York City and beyond, culminating in a powerful convergence one day in June 2020, when activists from across all five boroughs rallied loudly for Black trans lives.

The spirit of Marsha has never been more alive and present in what we do.

After reconnecting on a road trip, two friends must decide if love is the ultimate risk worth taking in this funny, emotional sapphic romance.

Nia and Jade had been inseparable ever since their best friend, Michal, introduced them at her tenth birthday party. But now it’s been three years since Michal died of cancer― since the brutal fight Nia and Jade had in the weeks after― and they're barely on speaking terms.

Until Nia reads a letter Michal wrote for her 29th birthday, asking her and Jade to go on the southern Jewish history road trip they'd planned before she died. To add to the complications, Michal's then-boyfriend and Jade's twin brother, Jonah, joins the trip. Despite the years apart and Jade and Jonah’s strained relationship, any awkwardness quickly disappears as it becomes clear how much Nia and Jade have missed each other.

Unfortunately, old issues soon arise. Nia has been in love with Jade since they were teenagers, and Jade has been so committed to their friendship that she never let herself consider something more. As the stops pass, tensions mount, running high until Nia and Jade are forced to confront what happened three years ago, their feelings for one another, and even their respective relationships with Jonah.

Rachel Runya Katz’s Whenever You’re Ready is about family, friendship, and the kind of first love that could last a lifetime―if only you are willing to take a chance.

"Poignant, tender, and swoony, Whenever You're Ready is an instant favorite from an auto-buy author." - Alison Cochrun, Lambda award-winning author of Kiss Her Once for Me and Here We Go Again

*ship in 7-10 business days

As his twenty-sixth birthday approaches, Desta Joy Walker finds himself in Addis Ababa, Ethiopia, the one place he's been actively avoiding most of his life. For Desta, the East African capital encompasses some of the happiest and saddest parts of his life-his first home and the place where his father died. When an unavoidable work obligation lands him there for twelve weeks, he may finally have a chance for the closure he so desperately needs. What Desta never expected was to catch a glimpse of his future as he reconnects with the beautiful country and his family's past.

Elias Fikru has never met an opportunity he hasn't seized. Except, of course, for the life-changing one, he's stubbornly ignored for the past nine months. He'd be a fool not to accept the chance to pursue his doctoral studies in the U.S., but saying yes means leaving his homeland, and Elias isn't ready to make that commitment.

Meeting Desta, the Dominican-American emergency relief worker with the easy smile and sad eyes, makes Elias want things he's never envisioned for himself. Rediscovering his country through Desta's eyes emboldens Elias to reach for a future where he can be open about every part of himself. But when something threatens the future that's within their grasp, Elias and Desta must put it all on the line for love.

Poetry. African & African American Studies. LGBTQIA Studies. Women's Studies. Art. Edited by Erica Hunt and Dawn Lundy Martin. A collection of poems, essays, elder conversations, and visual works, LETTERS TO THE FUTURE: BLACK WOMEN / RADICAL WRITING, celebrates temporal, spatial, formal, and linguistically innovative literature. The anthology collects late-modern and contemporary work by Black women from the United States, England, Canada, and the Caribbean--work that challenges readers to participate in meaning making. Because one contextual framework for the collection is "art as a form of epistemology," the writing in the anthology is the kind of work driven by the writer's desire to radically present, uncovering what she knows and does not know, as well as critically addressing the future.

Erica Hunt, in her introduction to the collection, says, "The future is a slippery project. What can it hold? We asked writers to write about it, imagining the future as the present conjugated--conjoining the past, the present with some other time...One dimension that drew our curiosity was to know how this particular group of Black women writers would respond to the question of tomorrow. The Black women in this edition were writers we'd known or been introduced to who had been insistent makers of poems and prose that set up radical encounters between language, person, community and the political. We discussed these letters as we received them, marveling at the range of strategies to refract, forecast or expand the penumbra of the present into the shifting and dim lit future."

In Dawn Lundy Martin's introduction, she says, "It has always been difficult for me to conceptualize what we call blackness in relation to human bodies, particularly myself as an indicator of the thing I don't quite understand. It's a strange predicament, and a worrying one...On the one hand, the claim of blackness need not be a claim. A black person in the world experiences themselves as black given the perception by others as to what black is. It is a (mis)recognition, always legible, often very slight in the adjustment of the face, a minor tick, a momentary widening of the eyes, almost imperceptible in its speechless announcement, 'a black is in the room.'"

List of contributors includes Betsy Fagin, Ruth Ellen Kocher, Robin Coste Lewis, Lillian Yvonne Bertram, LaTasha N. Nevada Diggs, r. erica doyle, Adjua Gargi Nzinga Greaves, Duriel E. Harris, Harryette Mullen, giovanni singleton, Evie Shockley, Khadijah Queen, Wendy S. Walters, Adrian Piper, Yona Harvey, Harmony Holiday, Tracie Morris, Claudia Rankine, Deborah Richards, Metta Sáma, Kara Walker, Renee Gladman, Tonya Foster, Julie Patton, Akilah Oliver, Simone White, M. NourbeSe Philip, Lucille Clifton and Sonia Sanchez in conversation, Wanda Coleman interview, Jayne Cortez and Sekou Siundiata with Tracie Morris, Erica Hunt, Dawn Lundy Martin, and Tisa Bryant.

Uses an intersectional and intertextual methodology to present a rigorous yet accessible study of Black queer women artists in theater and film.

In A Conditional Embrace, Kristyl D. Tift seeks to understand how Black queer women theater and film artists depict their own survival in heterosexist temporalities and spaces. Using the framework of lovin’ on—a theory inspired by Black feminist thought, performance theory, and queer theory—Tift closely reads the works of a selection of artists to investigate the “conditional embrace” of Black queer art in society. Her intersectional and intertextual methodology considers the text and body as part and parcel of performance work, allowing her to examine the multiple and complex intersections of identity at play in works meant to be read and performed. Tift puts the work of more visible artists such as Dee Rees, Sharon Bridgforth, and Staceyann Chin in direct conversation with lesser-known contributors to Black queer feminist performance such as Shirlene Holmes and Donnetta Lavinia Grays, analyzing not only their plays, installations, and poetry but also interviews, personal essays, performances, and more. Centering the works of artists situated, by birth or migration, in the Southern US and the Caribbean, A Conditional Embrace explores how artists at the margins of art and society represent Black queer women’s survival through processes of self-making, community-building, and homemaking.

Nonbinary Life is an invitation to imagine the possibilities of life outside of gender.

To write, to think, to imagine, to agitate, and to love without regard for gender is to lead a non-binary life. In this genre-defying work of autotheory, Marquis Bey proposes a radical refusal: to relinquish gender as a framework we carry - for ourselves and for others - and to embrace modes of being that exist outside of its grasp.

Spanning questions of pronouns, masculinity, love, family, language, and even the Redwood National Forest, Nonbinary Life blends memoir and theory to provide a philosophical meditation on what it means to live beyond the binary

A sizzling yet sweet festive rom-com about a small-town theatre director forced to put her faith in the woman who once shattered her heart, so they can save not only the show, but their whole community, too.

In Cedar Creek, Christmas is no joke, and the annual seasonal play is the centerpiece of the festivities. As director, Bo Amaratunga is not only filling the boots of her mother, but fulfilling her role as community organizer—bringing people together for a night of queer joy and merriment.

When a local landmark goes up for sale, and the town looks to Bo to save it, she does exactly what her mother would do: draws up plans to produce the loudest, most magical play to save the day—or at least bring in enough ticket sales to fend off any prospective buyers. To pull it all off, Bo needs a set builder who can bring her vision to life, but the only option seems to be the newly returned Val Morales, Bo’s long lost high school sweetheart. Sure, Val’s incredibly talented, more than willing to help, and still makes Bo’s pulse race, but how can she trust the girl who ghosted her and left her devastated ten years ago? And why did Val come back after all these years, anyway?

Val Morales didn’t think she’d ever find herself back in Cedar Creek. Freshly divorced, unemployed, and floundering, she was glad to take the lifeline when her demanding parents offered her a job helping out with their realtor business. When they ask her to find a buyer for their lucrative property in Cedar Creek, she jumps at the opportunity to escape their disappointment at her life’s recent downturn and hopefully even impress them. She wasn’t expecting to run into Bo, her first, most pivotal love, or for Bo to ask for her help designing the set for the annual holiday play. When Val realizes the property she’s trying to sell is the same one the play is trying to save, she is forced into an impossible place—will she break Bo’s heart all over again?

As the past and their longing for one another creeps up on them, Bo and Val must figure out a way to maneuver around their conflicting goals and pressures.

At once an utterly delightful holiday romcom and a tender exploration of past, present, and future selves, Tanya Boteju’s adult debut Setting the Stage For Christmas will warm hearts in any season.

They may be the author of the #1 most banned book in America, but George M. Johnson isn't finished telling their story yet. Written with unflinching emotion and unapologetic boldness, And If I Die Before I Wake is nothing short of a testimony -- one the world desperately needs to hear.

George M. Johnson is no stranger to death. In this debut adult memoir, readers are invited to witness as they navigate an HIV diagnosis, alcoholism, tremendous loss, and nationwide book bans over the span of 15 years. Through the highs and lows of life in the spotlight, they have clung to family and community like never before -- finding their most authentic self along the way.

Drawing inspiration from Toni Morrison, Jesmyn Ward, and Ta-Nehisi Coates, And If I Die Before I Wake explores grief, trauma, sexuality, and the Black family through the lens of transformation, healing, and hope. Poetic, grounded, and bursting with signature humor, this is New York Times-bestselling author George M. Johnson more bold, more brave, and more daring than ever.

Hakeem is skeptical about the existence of anything supernatural, so what happens when he falls for a boy who might not be human? This solo debut combines the sweet romance of Crumbs with the supernatural fun of The Witch Boy, perfect for teens looking for a paranormal, romantic, high school story.

"There's no such thing as Aliens."

At least, that's what Hakeem thinks. Which sucks for him, because he’s about to attend Black Birch High, a school specializing in everything paranormal. To make matters worse, his childhood friend seems to hate him, and he's failing UFOlogy.

Then he meets Yuhit, his handsome classmate who's excited about everything, and is willing to help Hakeem study. Things start off great but despite the crush that Hakeem definitely is developing, there's something off about Yuhit that holds him back. But is that because of Hakeem's cynicism and trust issues, or because there's something Yuhit is hiding from him?

As otherworldly events begin to transpire, and rumors fly of strange creatures prowling the town, will Hakeem even believe what his eyes are seeing?

From #1 New York Times bestselling author Mark Oshiro (The Sun and the Star) comes a deeply compelling and emotionally resonant new novel that puts a sinister spin on the idea that “the children are our future”.

There is little that frightens Arturo Ruiz anymore.

Life in the twenty-first century feels like one historic event after another. He and his friends have been through it all: pandemics. Floods and fires. Active shooters and drills at school. State-sanctioned violence. Still, the teens are expected to model resilience, to boldly march into the future and fulfill the promises of the generations before them.

Or so they had thought. Because tomorrow–the world is going to end.

And the nightmares Arturo had been having―the ones with the buzzing, eerie entities asking terrible questions about survival? Those were meant to be a warning.

Unfortunately for Arturo, his sister, and his two best friends, their parents are no help–abandoning them suddenly and leaving behind only the cryptic message:

We won’t be here when it ends.

This is the story of how to survive the end of the world--or die trying.

WE WON’T BE HERE WHEN IT ENDS is an unflinchingly honest look at the darkest possible timeline, infused with a shocking supernatural twist. Equal parts humanity and horror―this book is perfect for fans of Andrew Joseph White, Carnaby Kim, and Parasyte.

You've Reached Sam meets Hadestown in this enchanting, intoxicating romance across the mortal world and the underworld.

Eighteen-year-old August is trying to navigate life after the sudden death of his boyfriend left him devastated, aimless, and feeling guilty. Years after the tragic accident, August mistakenly stumbles into a world beyond his own--the Underworld. Unlike his own gray existence, the underworld is a lavish extravagant place, full of mystery and a flurry of charismatic gods, all curious about August's arrival in their world. Realizing right away the opportunity in front of him, August goes searching for his lost love, guided by Cary, the smoldering, broody ferrier of souls. But the more time August spends down below, the more his intentions begin to blur. Is he visiting this realm to reunite with his soulmate? Or is he desperately, inexplicably, intoxicatingly drawn to Cary? With his own world in pieces and a dangerously seductive realm promising him a new existence at a heavy cost, August must choose: a life with grief or a love that might destroy him.

Introducing readers to five trans and nonbinary poets Splendor is an ode to queer bodies, with previously unpublished translations from Argentina, Denmark, Korea, Norway, and Quebec. From the irreverent and irresponsible to the quiet and meditative these poems decentralize our ideas of trans experience and poetics.

Splendor presents a sliver of the wide possibilities of what trans literature can offer. This is trans literature that transcends borders and binaries in order to engaging with a messy world. As Camila Sosa Villada writes, “Let us keep loving one another in this swamp of contradictions.”

It's 1927 and Elise Saint and the reaper she loves, Layla Quinn, are on the run, staying at the hideout of a gangster friend. New York isn't safe for either of them: Layla murdered a doctor with ties to the powerful Saint family, and Elise killed the matriarch of the Harlem reapers. Both of the dead were part of a dark conspiracy behind the so-called "cure" for reapers, but few in the city know the truth Layla and Elise discovered.

Reapers are going missing, rumored to have been abducted for secret experiments. And Elise's beloved little sister Josi, a pawn in the conflict between Saints and reapers, has been poisoned with the reaper affliction―bitten, but not quite turned vampire―and is being kept hostage by their father. Meanwhile, the new leader of the Harlem reapers has joined forces with a female gangster who has a score to settle with Layla. With shifting alliances and power changes in the city's underworld, Elise and Layla can't trust anyone, not even one another. But once they learn about the new mayor's plans to assemble a reaper army to clear out the city's undesirables, Lalya takes charge of her reaper clan, bringing them together with rogue reapers and gangsters to fight back. And when Josi Saint begins to show reaper-like abilities, Layla and Elise discover the power of shared blood between humans and reapers, making the two lovers stronger together. Yet ultimately one of them will have to choose between reaperhood and humanity―and sacrifice everything.

Afrofuturist poetry that envisions Black people finding new worlds of freedom.

Following the traditions of Eve L. Ewing, Rio Cortez, and Douglas Kearney, jason b. crawford’s YEET! envisions the Black community lifted off the earth and set free towards the stars. These poems ask what a free Black people would look like and how we might achieve such a thing. This collection presents a new take on Afrofuturism and utopianism. Rather than looking to a future of technological change, it steps years ahead to show how people are happier once they are no longer owned. These poems speak to racism, gun violence, colonization, global warming, flight, joy, friendship, and noise. This is a book about creating new worlds without the systems of supremacy that held down the old one.

YEET! is the winner of the 2023 Omnidawn 1st/2nd Poetry Book Contest, chosen by Sawako Nakasayu.

Perfect for fans of cozy LGBTQ+ romance like Heartstopper and Bloom, this slice-of-life rom-com by debut creator Moosopp is the sunshiny story of Marcus and Cog falling for each other.

It’s the start of a new year and maybe the start of something more.

Marcus has a crush, and Cog is completely unprepared for the hijinks that follow. Hopefully in their efforts to grow closer, they can brighten each other’s day.

It’s senior year and Marcus and Cog, two students from different friend groups, just started hanging out. Between Marcus making lunch for Cog, Cog walking Marcus home, and accidental paper-eating incidents, they start to see one another in a new light.

Over the course of movie nights and shopping trips, Marcus and Cog start spending even more time together over the winter break. So much so that everyone thinks that they’re boyfriends already. That might not be true…yet…but it might just be on the horizon.

This volume collects episodes 48 to 107 of the endearing WEBTOON comic with over 100 million reads, Daybreak.

After a chance courtside encounter, a fake relationship between a rising influencer and a WNBA star gets a little too real in this swoony sapphic romance.

Chelsea has never cared about sports. But when she’s invited to sit courtside at a New York WNBA game, she welcomes the break from her usual routine. What she doesn’t expect is a basketball nearly colliding with her face—or the six-foot-four hottie who jogs over, flashing a heart-stopping grin, to retrieve it.

Adrienne “AD” Daniels is a player on and off the court, notorious for their inability to stay in a relationship. Still, something about Chelsea sticks with them—even though their instant connection can’t bring AD to offer more than one night.

But AD’s agent makes a pitch: Chelsea should pretend to be AD’s girlfriend. It’s a strategic move. AD, hoping to retire after this season, needs to lock down some brand deals—but their identity as a Black, nonbinary lesbian with a messy dating history makes sponsors wary. Chelsea, a sex-positive influencer, is ready to pivot her platform, and this feels like the perfect next step. With Chelsea’s network and AD’s star power, they could both strengthen their public images. Once the season ends, they’ll go their separate ways.

As the ruse starts to work and their connection deepens, Chelsea finds herself on unsteady ground. Falling for AD wasn’t part of the plan, and if she lets herself get too close, she might lose the future she’s finally starting to build.

The art historian, poet, and novelist close-reads images, moving and still, canonical and lesser known, that have shaped her evolving identity as an American “Mulatta” lesbian born at the end of the Civil Rights Movement in this singular blend of life-writing and cultural studies.

The daughter of the WASP mother who raised her and a Black father she has never known, J. Vanessa Lyon delivers a candid memoir across thirteen uniquely structured chapters in conversation with enduring, often damaging, mis/representations of so-called race mixing in fine art and popular media. Reflecting on a lifetime of being “dis-read,” she examines insidious cultural tropes of White passing beginning with art from the era of transatlantic slavery—from Rembrandt and Rubens, Gentileschi and Stubbs, to Manet—before moving on to Br’er Rabbit, Louise Nevelson, 1950s melodrama, and Adrian Piper. Original analysis of a broad chronological range of visual art parallels the unfolding of Lyon’s sense of self as animated by the interiors and geographies—not to mention the challenging and remarkable women—that have figured in her life. Through her investigations, she comes to terms with long-withheld information and the seemingly unalterable reality of being an out lesbian who, legally Black, may never be viewed by Whites or other African Americans in the ways she experiences her own raced and gendered personhood.

By turns scholarly and intimate, Blackness Thirteen Ways reveals surprising connections between the art Lyon teaches and the woman she has become, challenging history to accommodate an unapologetic image of herself and other “impassably” Black women.

Four Black Japanese gay men team up against a culture where discrimination is deep-seated and revenge is just a click away. A searing, darkly funny debut from the Akutagawa Prize–winning author.

Nobody at the corporate offices of Athletius Japan knows much about the massage therapist Jackson—but rumors abound. He used to work as a model. He likes to party. He’s mixed race—half-Japanese, half-somewhere-in-Africa-n. He might be gay. Fueling the gossip is the sudden appearance of a violent pornographic video featuring a man who looks a lot like Jackson.

When Jackson serendipitously meets three other queer mixed-race guys, he learns he’s not the only one being targeted. Together they concoct a plan: find out who’s responsible and, in the meantime, switch identities and play tricks on people—a boyfriend, a boss—who’ve wronged them, exploiting the fact that nobody can seem to tell them apart.

A short, blistering gut punch of a novel, Jackson Alone is at turns satirical and deadpan, angry and tender—a frank exploration of identity, race, queerness, and discrimination in contemporary Japan that announces Jose Ando as a singular new talent in the global literary scene.

James Baldwin’s final novel is “the work of a born storyteller at the height of his powers” (The New York Times Book Review).

Arthur Montana, celebrated gospel singer, has been found collapsed in a London pub at the age of thirty-nine. His brother, Hall, is left to write the story of his life, his talent, and his great love. Retracing the past three decades of their history, Hall writes with tender passion about the central characters in Arthur’s life: Sister Julia, a “fire-baptized” child evangelist called to the ministry when she was nine, whose life seems considerably less “redeemed” out of the pulpit; and Julia’s brother Jimmy, Arthur’s most gifted accompanist, the catalyst of his success as a singer, and his devoted lover.

An unforgettable epic drama spanning the distance from the Apollo in Harlem to the Olympia in Paris, Just Above My Head is a magnificent tale of personal courage, commitment, and profound love filled with all the lyricism, violence, and compassion that comprise the human condition.