*ships in 7-10 business days* 

Vampires and vaqueros face off on the Texas-Mexico border in this supernatural western from the author of The Hacienda.

"EAT. THEY TWISTED IN DEEPER. EAT. STILL SO SIMPLE. AN IMPULSE. REPEATED AGAIN AND AGAIN. EAT..."

"ACID-BATH CLASS STRUGGLE INTERMINGLES WITH PARASITIC TERROR IN BRIANA N. COX'S SLIPPERY, SLITHERING, SYMBIOTICALLY SUFFOCATING DEBUT." - CLAY MCLEOD CHAPMAN, WAKE UP AND OPEN YOUR EYES

"This damning portrayal of U.S. health care doubles as a potent, unforgettable creepfest." - Kirkus Reviews

LEIGH PIERCE ESTATES is home to a diverse array of tenants: families, immigrants, students, the forgotten elderly. All working poor, and all in danger.

Because the tenants of Leigh Pierce are disappearing.

Live-in handyman Xavier seems to be the only one who notices. Or cares. After a chance encounter with the culprit leaves him infected with something horrifying, Xavier is thrust into a surreal nightmare of starvation and consumption all too familiar to his gentrifying Atlanta neighborhood.

Succumbing to his infection, Xavier is drawn into the cobbled-together family squatting in Leigh Pierce's basement. People who, through a myriad of doomed roads, fell into the same self-destructive cycle of indigency, harboring dark secrets... and darker appetites. Trapped in a dynamic of codependency and complicity, Xavier and his family- new and old- are forced to confront the cost of survival in a world that has disregarded them.

*ships in 7-10 business days*

Every secret comes to haunt you in this YA horror that combines the swoony romance and emotional resonance of John Green with the surrealist horror imagery and razor-sharp wit of Jordan Peele.

Seventeen-year-old Hylee Williams didn’t ask to disappear. But she did disappear, and not only that, but when she vanished from our world, she materialized in a dark, twisted version of the night that changed her life forever: the night her older brother went missing.

Just as Hylee realizes this moment could be the key to unraveling the truth about her brother, she’s yanked away from the dark place back to our world. Craving a sense of normalcy, she goes to a party with her best friend—where she meets Eilam Roads. Tall, handsome, and undeniably, inexplicably familiar, Hylee can’t help the pull she feels towards him. It’s a classic teen girl-meets-boy situation, until it happens again. She disappears, right in front of him.

Together, Hylee and Eilam investigate the truth about time, space, and reality, with Hylee increasingly convinced her time travel holds the key to saving her brother. But the more they learn, the more Hylee begins to see darkness lurking in her world—and in herself.

The author of Sky Full of Elephants returns with an evocative, harrowing novel about the bonds of community and the power of redemption, as the disillusioned son of a preacher returns home and uncovers a supernatural force taking hold.

When a sweet, unassuming fifteen-year-old walks into the local police station attempting to kill everyone inside, Carmichael Franklin, a social justice advocate and legal investigator whose hope for a better world is masked by a deep layer of cynicism, is called home to Loblolly Grove to find out what happened.

Carm returns and finds his community crumbling. While the underfunded “Lo” has always had its problems, its residents were once as close as family. A towering apartment block, Carm learns its caretaker Ma Esther has been murdered, and a rising tension, coupled with strange outbursts of violence, has seemingly infected everyone. Carm’s brother, Everett, who has followed in their father’s footsteps and is now the Bishop, brings Carm to see a young girl he believes is possessed, unleashing an action-packed series of events that transport Carm across time.

Wells Without Water is an incendiary, poetic, horrifying, and, above all, deeply felt adventure through the lives and loves of the Lo. Cebo Campbell has written a literary horror novel with the heat and rhythm of a Black sermon and the surreal, myth-soaked atmosphere of Southern gothic at its most hallucinatory. As the Lo teeters between rot or revolution, Carmichael is forced to confront a spiritual evil that has plagued humanity from its very beginnings. Wells Without Water brings to light the magical roots of Nat Turner’s rebellion, the power of religion when put in the wrong hands, and the cosmic horror of slavery itself.

National Book Award finalist Mónica Ojeda returns with a blazing, psychedelic novel about girlhood, violence, and the loss of innocence.

In the near future, best friends Noa and Nicole flee their home in Guayaquil, Ecuador to attend the Solar Noise Festival, a week-long, retro-futuristic gathering at the foot of an active volcano. While Noa fully embraces the haze of narcotics and hedonism in an effort to obscure her true reason for attending, Nicole senses something darker at play behind the festival’s so-called “celebration of life.” Amid technoshamanic poetry, collective hallucinations, and ritualistic dances, each girl navigates her own path in an effort to escape her past and reclaim her right to a future.

Vivid, terrifying, and celebratory, Electric Shamans at the Festival of the Sun blends the primal with the supernatural, solidifying Mónica Ojeda as one of the most singular and exciting voices in Latin American and world literature today.

S. A. Cosby's All the Sinners Bleed meets Percival Everett's Erasure in this literary thriller following the grandson of a famous Black actress from the 1920s to the 1940s, now a filmmaker himself, who returns to his grandmother's cabin retreat in the California mountains only to encounter the legacy of her rage born in Old Hollywood.

Award-winning author Tananarive Due returns with the follow-up to the multi-award-winning The Reformatory in this generational novel of rage. With flashbacks to Johnny’s grandmother—who brushed shoulders with giants like Lena Horne, Clark Gable, and Hattie McDaniel—this novel explores three generations, beginning with Mazelle Washington’s life as a young actress. Fifty years after Mazelle’s death, Johnny will discover the secret she kept and nurtured since she was a child, when she had a dark wish come true.

A monster lurks outside Mazywood, hidden for generations, and Johnny brought his family to its hunting grounds.

“Eerie, propulsive, and sumptuous, Honeysuckle and Bone is a trip to Jamaica you won’t soon forget.” —Ayesha Curry

A Goodreads Editors’ Pick · A Kirkus Best of January for Young Readers · An Indie Next Pick

On the run from her own dark secrets, a teen girl becomes the nanny for a prestigious family on their Jamaican estate, where she quickly discovers even paradise may be haunted. Carina Marshall is looking to reinvent herself, and what better place to do it than Jamaica, her mother’s alluring homeland where she conveniently has access to an au pair gig for the wealthy and powerful Hall family. After months of being the target of vicious rumors and hate online, Carina might have found everything she wants at the luxurious Blackbead House: a world of mango trees, tropical breezes, and glamorous parties—and a place to disappear.

Once there, Carina finds herself settling right into her busy, but comfortable, new life. Yes, the family runs a tight ship, and yes, there is some tension between the Halls, but Carina is content flying under the radar and hanging out with her new friends—not least, the handsome and charming Aaron. But when inexplicable things start happening to her in the house, only getting worse each night, Carina realizes that someone, or something, is out to get her. Is it the Halls? The house itself? Or is her own past catching up with her? With Aaron’s help, she must figure out what is haunting her, and fast, before she’s forced out of Blackbead House for good.

Honeysuckle and Bone is a deliciously atmospheric and utterly spooky young adult novel, perfect for fans of She is a Haunting, following an imperfect yet courageous teen as she seeks to remake herself in the homeland she always idealized, discovering that new beginnings don’t always come easy.

A word-of-mouth phenomenon turned best-selling cult classic in Korea, Hunger is a visceral, psychologically daring novel that reveals how love and money shape, wound, and consume us.

“A feast for the literary senses.”—Anton Hur, Judge of the International Booker Prize

On an ordinary afternoon, a woman sees her partner murdered in the street. Time freezes. She lifts his body from the pavement, cradles him home, disinfects each inch of skin—and sits down to begin.

As he witnesses his own funeral from beyond, their two voices—living and dead—lament a lifetime of bone-grinding labor in a society that devours everyone whole. But the woman is no longer willing to bow before law, God, or money. In an act of love and rebellion, she transforms his body into her own, entombing him within her flesh so that he may live again.

Raw, furious, and unflinchingly intimate, Hunger is the Korean underground phenomenon that indicts capitalism, mourns lost love, and pushes the boundaries of what the body can endure for justice and survival. A psychologically and philosophically thrilling novel, it cuts to the core of how we are consumed by the world—and how we might consume it back.

“An instant cult classic… You have to read it.”—Harper’s Bazaar

Set in a foreboding Gothic mansion and infused with the heightened paranoia and creeping horror, a spine-chilling debut historical thriller from a fresh voice in the genre that will leave you questioning who, or what, you can trust . . . including your own sanity.

A mysterious suitor. A secluded manor. And a heroine’s quest to uncover the mysteries hidden within its haunted halls.

England, 1840. The orphaned daughter of a white man and a Black woman—an outsider with no fortune or connections—Orabella Mumthrope never expected to marry, until Elias Blakersby, the scion of a fabulously wealthy family, arrives at her uncle’s home, declaring a deep desire to make Orabella his wife. 

The new bride is quickly whisked away to Korringhill Manor, the Blakersby family estate where she is shocked to find decay, skittish servants, and curt elders. Despite Elias’s assurances, Orabella becomes increasingly unsettled. There is a darkness deep within this house. Rooms are kept locked or hidden away, and the walls seem to thrum with secrets. Orabella has little freedom, and soon, the darkness begins to engulf her, too. She suffers fitful sleep filled with macabre dreams, is awakened by blood-curdling screams, and rises from her bed covered in mysterious bruises. 

Confused and terrified, she begins to question where her dreams end and reality begins. The longer Orabella stays in this place, the more she loses parts of herself. . . . How long until she no longer exists?

Forced to spend her summer in her aunt's strange small town, a teen girl discovers dark secrets hidden in the woods. From the author of Bad Witch Burning comes another pulse-pounding novel perfect for fans of Supernatural and Lovecraft Country.

Don't go outside past dark. Come straight home after church. And above all—never, ever, go into Red Wood.

These are the rules Latavia's aunt gives her when Latavia arrives in Sanctum, Alabama for the summer. Though, weird as they are, living in Sanctum does have its pros. Mainly, the cute girl who works at the local ice cream shop. 

But Sanctum is turning out to be as strange as the rules—and the longer Latavia’s in town, the more suspicious she is that the people there are hiding something. And the more clear it is that she’s an outsider. Everyone’s nice enough, but they seem determined to prove everything is normal.

But it's not. Because there’s something in Red Wood that the towns’ people are hiding. And if Latavia doesn't follow her aunt’s rules, she might not be able to leave Sanctum. Ever...

Dive into the chilling depths of Latiné horror with Something Followed Us Home, edited by Bram Stoker Award–winner Cynthia Pelayo, a groundbreaking anthology where each story reimagines immigration, colonization, faith, and folklore as the fears we inherit and carry across borders and generations.

Something followed us home. It crawled in with our prayers, slipped into our beds, watched from mirrors, waited in water, and learned our names. In these stories, horror does not announce itself. It possesses, feeds, whispers, and waits.

Gathering chilling work from some of today’s most acclaimed Latiné voices, this anthology moves through haunted households, brutal landscapes, sacred spaces turned dangerous, and bodies claimed by forces both ancient and intimate. The dead murmur behind locked doors. Bones rebuild themselves under merciless suns. Love becomes a doorway for demonic hunger. Prayers summon answers that arrive too late…or too fully. Blood, devotion, and memory intertwine as the past presses back with teeth.

Something Followed Us Home is a landmark anthology of Latiné horror. These stories remind us that the past is never gone, the dead are never silent, and the places we come from will always find their way back to us.

Featuring stories by: Agustina Bazterrica, Ann Dávila Cardinal, Cynthia Pelayo, Isabel Cañas, Gerardo Sámano Córdova, Zoraida Córdova, Mariana Enriquez, Carolina Flórez-Cerchiaro, Ananda Lima, Xochitl Gonzalez, Leopoldo Goût, Juan Martinez, Mónica Ojeda, Daniel Jóse Older, Lilliam Rivera, Alex Segura, Diana Rodriguez Wallach

Mississippi, 1927. The groanings are coming.

No town is perfect, but East Cobb comes close. It’s a wealthy all-Black Free Town―untouched by white oppression―where ambitious Thea Elliot and her husband plan to make good on their big dreams. Little do they know that the idyllic town teems with ghoulish, walking nightmares . . . that only the women can see.

Marah knows the groanings well. She is one of the carriers―women with the ability to pull traumatic memories from men. Populated by men entirely freed of their pain, East Cobb has flourished, even as the remnants of their memories haunt the town’s women. When an unexpected death drives Marah to discover more about her own power, Thea’s and Marah’s worlds collide. The sisters must confront the rotten core at the heart of East Cobb’s prosperity and choose what―and who―will survive the reckoning.

A gripping blend of historical fiction and Southern gothic psychological horror, Our Sister’s Keeper is a fierce exploration of Black sisterhood, rage, and resistance.

Nineteen original horror stories exploring ancient sites, uncovering forgotten histories and prising open the tombs of the past, from award-winning authors and editors Dan Coxon and Philip Fracassi.

Perfect for fans of Ellen Datlow.

Unearthed digs beneath these crumbling structures to reveal their archaic pasts, and their darkest secrets. Featuring the best modern writers of horror and dark fantasy, these stories explore the caverns and the catacombs, the ruined temples and the monoliths – and drag an ancient evil back into the light.

Featuring stories from:
Tananarive Due
Christopher Golden
Josh Malerman
Tim Lebbon
Eric LaRocca
A.M. Shine
Jonathan Maberry
Hildur Knútsdóttir
Ai Jiang
A. G. Slatter
Mark Chadbourn
Priya Sharma
Benjamin Percy
V. Castro
Gemma Amor
Cavan Scott
Premee Mohamed
Hache Pueyo
Steve Toase

In this debut story collection, Gianni Washington opens portals bridging the strange and the lonely to the gruesome and the intimate.

Thirteen dark tales are told through the lenses of Black, female, and queer narrators, among others, which burrow deep into the heart of the gothic to challenge the conventional nightmare. Flowers from the Void unburies a haunted labyrinth of chilling alternate realities eerily similar to our own.

A high school freshman is lured into a sinister pact with a classmate that will cost him more than he could ever imagine. A grieving African witch prepares for initiation into a 17th century Salem coven of white women. A girl with no shadow befriends one. 

Empathy and horrors collide to create a grimy discomfort that will never quite wash off. Otherworldly creatures, malevolent acts, and devastation consume these pages as Gianni Washington resurrects the skeletons in our closets and commands them to run amuck with a new zest for the macabre.

Vampires, vaqueros, and star-crossed lovers face off on the Texas–Mexico border in this supernatural Western from the author of The Hacienda.

As the daughter of a rancher in 1840s Mexico, Nena knows a thing or two about monsters—her home has long been threatened by tensions with Anglo settlers from the north. But something more sinister lurks near the ranch at night, something that drains men of their blood and leaves them for dead.

Something that once attacked Nena nine years ago.

Believing Nena dead, Néstor has been on the run from his grief ever since, moving from ranch to ranch working as a vaquero. But no amount of drink can dispel the night terrors of sharp teeth; no woman can erase his childhood sweetheart from his mind.

When the United States invades Mexico in 1846, the two are brought abruptly together on the road to war: Nena as a curandera, a healer, striving to prove her worth to her father so that he does not marry her off to a stranger, and Néstor as a member of the auxiliary cavalry of ranchers and vaqueros. But the shock of their reunion—and Nena’s rage at Néstor for seemingly abandoning her long ago—is quickly overshadowed by the appearance of a nightmare made flesh.

And unless Nena and Néstor work through their past and face the future together, neither will survive to see the dawn.

A chilling Lovecraftian horror story from the author of Midnight Rooms, in which a recently freed slave from America making a new life for herself in 1700 Venice finds the mysterious plague that killed her former master may have followed her to Italy . . . and now stalks the canals.

Venice, Italy, 1700. The only survivor on a ship, Mercy disembarks in Italy, carrying two precious possessions: the first-ever camera that makes daguerreotype plates and a letter regarding an appointment meant for the dead slave holder.

The letter takes her to Umberto, an Anatomist. In his basement workspace, she learns he hired the man who formally owned her to capture images of dissected corpses. But that man is dead. With no other recourse for her or Umberto, Mercy assumes the position. In return for the sample plate she took, Umberto takes her to the home of the Contessa, a British woman who married into her title. Charmed by Marcy, she invites the young woman to stay for the season to take pictures.

Formally enslaved, Marcy finds this new life of freedom heady, as she takes on the mantle of a photographer and guest in a decadent house of pleasure under the hospitality of an aristocrat. Under the Contessa’s roof, she meets a diverse cast of friendly and strange individuals with whom she forms new bonds and friendships.

But all is not well in her new life. Something dark and hungry stalks the canals that snake through the city, biting at her heels. The same death that rode the waves with her now surrounds her in this strange place. What is this malevolence that haunts her? As she tries to understand this macabre force, she must grapple with a greater fear: that the horror that endangers her friends is herself.

The Sunken, The Adored is dark, eerie, and wholly original—at once unsettling and irresistibly addictive.

Ghost Prison: Blood Pact

Jon Bowman's shocking conviction came with an unexpected twist when he learned the prison walls weren't just keeping him in. They're hiding something far more sinister. Wrongfully convicted and thrust into the ruthless world of a maximum-security prison. Jon must navigate more than just hostile inmates and corrupt guards. Redmond Prison harbors a brutal supernatural force: the vengeful spirit of an ax-wielding killer who continues his reign of terror from beyond the grave.

As Jon fights to prove his innocence, he discovers that surviving until his appeal might be impossible. Fellow inmates are found dismembered in their cells. Nightmarish apparitions stalk the corridors after lights out. The ghostly killer seems particularly drawn to Jon, forcing him to face two terrifying possibilities. Either he's losing his mind under the pressure of imprisonment, or he's the only person standing between the living and the dead.

In this heart-pounding supernatural thriller, Jon must solve both the mystery of his own false conviction and the dark history of the prison itself before he becomes the next victim of an entity that deals in a punishment far worse than justice.

Can Jon survive to see his release date? You'll have to get the book to find out.

A stunning collection of Black American horror short stories curated by the prolific author-editor-scholar team of Maurice Broaddus and Dr. Chesya Burke.

Edited by award-winning writer, community organizer and educator Maurice Broaddus and scholar, professor and award-winning author Dr. Chesya Burke, with an introduction by Dr. Burke, Black Horror: Canonical Voices from Then to Now is a landmark anthology offering the evolution of Black American literary horror while boldly imagining its future. The stories within recognize the legacy of Black horror, its literary milestones, cultural roots, and innovative voices, while pushing the genre into new, daring territory. Authors featured in the anthology include: Tananarive Due, P. Djeli Clark, Linda D. Addison, Brandon Massey, Justina Ireland, Jewelle Gomez, Sheree Renee Thomas, Wrath James White and Victor Lavalle. It also includes a small selection of stories chosen from open submissions. This book revels in the power of horror to unsettle, illuminate, or transform, while drawing from Black American cultural histories, mythologies, and lived experiences; it will surprise you with fresh nightmares, folklore, and futures, honoring the past while writing fearlessly toward tomorrow.

The Flame Tree Beyond and Within short story collections bring together tales of myth and imagination by modern and contemporary writers, carefully selected by anthologists, and sometimes featuring short stories from a single author. Overall, the series presents a wide range of diverse and inclusive voices with myth, folkloric-inflected short fiction, and an emphasis on the supernatural, science fiction, the mysterious and the speculative. The books themselves are gorgeous, with foiled covers, printed edges and published only in hardcover editions, offering a lifetime of reading pleasure.

A ragtag group of activists plan a mission to repatriate the bones of a Blackfeet boy who was sent to the infamous Carlisle Indian Industrial School in author Stephen Graham Jones's return to the Blackfeet reservation of his award-winning New York Times bestsellers The Only Good Indians and The Buffalo Hunter Hunter.

Nate Yellow Tail is one of the survivors of the deadly revenge murders of Stephen Graham Jones's breakout bestseller The Only Good Indians. Five years after the massacre on the Blackfeet reservation, Nate finds himself in the hospital after a terrible accident that should’ve killed him and that nearly killed his best friend Sebby, who is hanging onto life in a room a few doors down.

Nate’s life is out of balance, so when he is given the chance to reset his life, and maybe save Sebby in the process, Nate steps up, again. This time it’s into a camper van that is almost as run down as his broken body, filled with three older Blackfeet, to find the bones of the lone Blackfeet boy who died at the Carlisle Indian Industrial School, where many Indigenous children were abused, and repatriate this boy home. The problem is, when they get the bones, something terrible has escaped with them.

Jones has crafted another American Indian novel for our times, shining light on the dark corners of this country’s history while also showing the desperate choices people make when they’re put up against a wall.

A debut Gothic horror set in 1870s Brazil—a tale of creeping suspense in which a young pregnant woman finds herself unable to escape her lover’s isolated family home, and a family’s deal with the devil goes terribly wrong

1877, Pernambuco, Brazil: Raised in a deeply religious household, Madalena knows Dante’s Inferno by heart and fears her mother’s reaction as much as she fears God. When she falls pregnant with a child conceived in sin, her mother issues a threat: marry or surrender the baby. Madalena is confident that the father, the dashing Leandro Neves, will do right by her and propose. But just as she is about to tell him about the baby, a violent storm sends their carriage careening off the road.

Madalena awakens in Leandro’s sprawling, secluded home, under the care of the mysterious and larger-than-life Doctor Lobo. Leandro is there . . . but he is no longer the charming poet she knew. He’s silent. Obsessed. Always watching.

Strange perfume haunts a locked room. Pages vanish from books. Jewels lie untouched in a forgotten wardrobe. And mirrors begin disappearing after Madalena sees something—or someone—ghastly in the reflection.

Leandro is unraveling. Doctor Lobo may be hiding something even darker. Trapped in a decaying house of secrets, Madalena must uncover the truth before the men around her destroy her, and before the hell she fears becomes the one she’s living in.

A historical African-Wild West horror story of supernatural vengeance and terrifying occultic magic from the winner of the Bram Stoker Award® for Lifetime Achievement. Two fearsome deities battle each other for the souls of white twins destined to either bring vengeful devastation or salvation to their community in Texas, USA, for a great injustice done to their mother.

When Sally-Mae Jenkins is violated and impregnated by the twin scions of a wealthy rancher, she’s sent to join the African missionary ship as a widow. Pregnant and terrified, Sally-Mae vows vengeance on all those who abused her and her family.

Amara is a young woman with the body and face of an old hag. The village outcast, Amara can ‘eat’ the diseases ravaging the villagers and cure the most deadly ailments. But her powers drain her youth and her strength and the only help she has is the fearsome entity that claimed her soul, the spirit known as Aja-Mmọ, the death-giver and physician of the dead.

When Sally-Mae arrives in Amara’s village, her unborn twins become the focus of both the Python-Goddess, Asata, who wants the twins dead, and Aja-Mmọ, who wants the twins alive in her service, just like Amara. And suddenly, Sally-Mae finds the boys, with their unearthly and fearsome powers, have become the weapons of her vengeance against the unsuspecting citizens of her home town back in Texas….

A gripping tale of supernatural horror, bitter revenge and battling deities, suffused with Onoh’s trademark thrilling storytelling, wit and dark humor.

In 1970s Mississippi, a Black detective and his temporary partner are assigned to a case that shifts from murder to paranormal conspiracy with life-altering repercussions.

Wenton, Mississippi: A man enters the bathroom of a local gay bar and doesn't come back out. Instead he's found cold, on the floor, and facing the wall. And no one seems to know how this happened.

Samuel Barkley is Wenton's only Black detective. Assigned to the case, Samuel's one goal is to keep his head down with eyes on moving up in the police ranks. But it's not easy with Harvey, a new, temporary partner who Samuel can't seem to like...or hate. Nor with the cold, questioning eyes and fake smiles from those in town. Persistent. Judging. Wrong. Samuel is reaching his breaking point.

As his investigation leads him to a curious plane crash cover-up, Samuel's placid existence is turned on its head. Because what crashed in Wenton isn't a plane. There are others here. They like it here. And if Samuel can't stop them, they will find a way to stay.

With shades of The X-Files and S. A. Cosby, There Used to Be People Here deftly explores race, queerness, and existing as other in a society that demonizes everything different.

In this haunting historical novel, a light-skinned Black man goes undercover to investigate lynchings in the Jim Crow South, only to be confronted by the very evil that has pursued him since childhood.

Clark Wendell White first encountered the Nightmare as a child during the Atlanta Race Riot of 1906, when he and his father stood guard over their family home. In the eyes of the mob surging through his neighborhood, Clark sensed this malevolent presence. It was then that the Nightmare took shape, burrowing deep into his mind and feeding on his fear.

Years later, the same evil presence drives Clark to the NAACP's headquarters in New York City, where he answers an ad seeking light-skinned Black men for dangerous undercover work. As a spy for the NAACP, Clark investigates lynchings, impersonating the very Nightmare that once tormented him.

As Clark descends deeper into this double life, another force rises: a new chapter of the Ku Klux Klan, finding a foothold in the storied streets of New York City. Among its eager recruits is Sam Cahill—the one man who can see past his disguise. Now Clark must outwit both the living and the dead, as he confronts a past that refuses to stay buried and a future where the act of passing exacts a soul-deep price.

Inspired by the life of civil rights activist Walter White, who passed as a white man to expose the brutality of lynchings from the South to the Midwest, American Nightmare is a gripping historical thriller that reveals the most terrifying monsters aren't those that go bump in the night but those that walk among us.

When traditional remedies meet a new frontier of science — can long kept family secrets help the world, or doom us all to cosmic oblivion?

In a terrifying body horror reimagining of Madam CJ Walker’s life, Etta Knight must break a generational curse or succumb to the maw of madness!

At the turn of the 20th century, a young Black woman named Etta Knight picks up the tradition of her late mother for creating special medicines using natural ingredients and secrets passed down from generation to generation. Her mother has passed on a book of recipes and formulas, but it’s also full of strange symbols and dark musings that she doesn’t quite understand. Within her community, one of the problems she hopes to fix is counteracting the poisonous and abrasive solutions women of color are sold for straightening her hair.

So, when the Meridian Fellowship reaches out and offers her a spot at their institute in Savannah, GA, to use their facilities to do her research, Etta jumps at the chance. She packs up her mother’s book and heads to the school, but what she finds there is a secret society and a campus surrounded by natural wonders that may point the way to understanding the more mysterious parts of her mother’s work…if dark forces don’t claim her first.

Inspired by the life of Madame CJ Walker, this alternate history combines tradition with the supernatural for something truly modern and unique.

This volume collects issues 1-6 of Roots of Madness.

Award-winning author Micaiah Johnson invites you to Abernathy House.

A house, itself, is nothing. It’s not a shelter until it is sheltering someone. A house is a housefire, waiting for its match. A house is a ghost story, waiting for its death.

At the end of the Civil War, a daughter of the Confederacy made what she thought was an innocent wish: to build a house where nothing bad could happen. But peace came at a price, and one hundred and seventy years later Shantell and her friends are about to discover where all that darkness ended up.

When Shantell’s best friend, Avery, tells her he has inherited a house big enough to make their dreams of a sanctuary come true, she’s too cautious to be optimistic. A lifetime of loss — her father to the Iraq war, her brother to police violence, and her mother to suicide — has taught her cynicism, and even though Avery swears the house has never experienced a tragedy, she goes along expecting everything from black mold to evil spirits.

But not only is the house in better shape than they’d expected, it makes them better too: Shantell’s anxiety stops flaring up; terminally shallow Avery is suddenly capable of deeper emotions; and Tobias, Avery’s older brother and the contractor for the job, even quits chain smoking.

There’s an eeriness to the calm, and it’s almost a relief when they realize they do not walk alone in Abernathy House. If nothing bad has ever happened here, where are all these ghosts coming from? As they dig into the house’s history, Shantell, Avery, and Tobias discover that there’s only one thing worse than a house that’s haunted: a house that desperately wants to be.

#1 New York Times Bestselling cartoonist Johnnie Christmas and Prism Award Nominee Dante Luiz bring you a haunted tale of love, ghosts, and coffee beans.

Esme, a barista, feels invisible, like a ghost... also, when Esme drinks too much coffee she actually sees ghosts. Yara, the elegant heir to a coffee plantation, is always seen, but only has eyes for Esme. Their world is turned upside down when the strange ghost of an old-world nobleman begs Esme to take his letter from New York City to a haunted coffee farm in Brazil, to reunite him with his lost love of a century ago. Bringing sinister tidings of unrequited love.

Collects the ComiXology original digital graohic novel Crema in print for the first time.

Winner of a Shirley Jackson Award

For fans of “The Lottery” and The Hunger Games, this novel set in a small town with a sinister tradition is chilling in the best possible way.

“Curdle Creek is a thoughtful, sinister tour-de-force.”
―Tananarive Due, L.A. Times Book Prize-winning author of The Reformatory

Welcome to Curdle Creek, a place just dying to make you feel at home.

Osira, a forty-five-year-old widow, is an obedient follower of the strict conventions of the remote all-Black town that’s stuck in the past and governed by ominous rituals including a one in, one out population policy. Though she’s always been considered blessed, her luck changes when her grown children run off to parts unknown, she comes in second to last in the Running of the Widows, and her father flees after his name is called in the annual Moving On ceremony.

Forced to jump into a well in a test of allegiance, Osira finds herself transported first back in time, and then into another realm where she must answer for crimes committed by Curdle Creek. Exile forces her to jump realms again, landing Osira even farther away from home, in rural England. Safe there as long as she sticks to the rules, she quickly learns there are consequences for every kindness. Each jump could lead Osira anywhere, but will she ever find a place to call home?

Curdle Creek is an American Gothic in the tradition of Shirley Jackson that offers a mash-up of the surreal and literary horror that will appeal to fans of Ring Shout, The Salt Grows Heavy, and Lovecraft Country. Yvonne Battle-Felton’s propulsive tale is layered and eerie and quite unlike anything else.

Serial the podcast meets The Other Black Girl in a haunted house, as young African author disappears after being invited to an exclusive writing residency, and her sister is left only with a true crime podcast to help her uncover the truth about what really happened…

Anaya Sebeya is missing.

Before her disappearance, Anaya was a brilliant writer: a rising star. Invited to a prestigious writing residency at Günter Huis, an eerie colonial mansion on the slopes of Devil’s Peak, Anaya was supposed to craft the next great African literary masterpiece—and so were four other young, emerging writers, all competing for the grand prize. But Anaya never made it home.

When a sensationalized true crime podcast about Anaya emerges, claiming to reveal everything that happened at Günter Huis, her sister Ranewa is both skeptical and furious. But with each surreal episode, Ranewa begins to piece together a truth worse than she ever could have imagined…

At Günter Huis, Anaya’s nightmares consume her. Time slips away from her. Günter Huis inflicts distorted visions and terrible supernatural visitations, pushing Anaya to tell a story no one dares. But exorcising the house’s endless cycle of evil requires a sacrifice that neither Anaya nor her fellows are ready to make.

In House of Margins, award-winning Motswana author Tlotlo Tsamaase delivers a mesmerizing story of a young generation facing colonialism’s cultural legacy in Africa.