In this gripping thriller from the bestselling authors of Spare Room and Say Her Name, one woman’s mysterious death has led to a lifetime of pain. Can her daughter find out why?

“A compelling psychological mystery that will keep you guessing.” ―Woman’s Weekly

Lawyer Gabby Lewis always knew she would die young. Since her mother’s death twenty-five years ago, she’s dreaded her upcoming fortieth birthday, the same age her mother died.

When she discovers a connection between her mother and a suspicious mansion house, Ocean Haven, Gabby begins to suspect that her mother’s death wasn’t an accident, it was murder.

Returning home Gabby sets out to uncover the truth despite her family, friends and the local police all telling her to stop. When she starts to develop the same mysterious symptoms that led to her mother’s death, she is certain she’s on the right track. But will she be able to catch the killer in time? Or will she become another victim of a murderer desperate to keep the past buried?

Praise for Say Her Name

“My book of the year so far.” ―Lee Child

In The Temple of My Familiar, Celie and Shug from The Color Purple subtly shadow the lives of dozens of characters, all dealing in some way with the legacy of the African experience in America. From recent African immigrants to a woman who grew up in the mixed-race rainforest communities of South America to Celie’s own granddaughter living in modern-day San Francisco, all must come to terms with the brutal stories of their ancestors in order to confront their own troubled lives.

As Alice Walker unfolds the experiences of these astonishing characters, she weaves a new mythology from old fables and history, creating a profoundly spiritual explanation for centuries of shared African American experience.

Expanded second edition of this instant classic with a foreword by adrienne maree brown

Masturbation is one of life's great pleasures. It helps build self-knowledge, foster body awareness, and expand your sexual repertoire, no partner required. Anyone can use masturbation to explore their relationship to their body, desires, and pleasure. This joyful, unique book centers people of color, queer people, disabled people, sex workers, and other often underrepresented voices to bring an informative and beautiful perspective to self-love. Inside, you'll find sections on:

• Masturbation myths shattered for good, with history and data analysis
• Techniques-physical and emotional-for finding solo pleasure
• A guide to buying sex toys and supporting feminist sex shops
• Tips by and for transgender masturbators
• Logistical advice and encouragement by and for wheelchair users
• Guidance for teaching your kids healthy, safe attitudes about masturbation
• Wisdom about giving pleasure to your aging body
• Advice for working through internalized masturbation stigma and building a friendship with your genitalia

Perfect for fans of The Day You Begin and Evelyn Del Rey Is Moving Away, author Jamilah Thompkins-Bigelow and illustrator Shahrzad Maydani’s Sister Friend is a heartwarming new picture book celebrating the unique joy of cultivating friendships within your cultural community.
 
Ameena feels invisible. It’s been that way since she started at her new school. But now there is another new girl in class. Ameena sees her brownness and her hijab, even though the other kids do not.
 
Ameena wants to be her friend, but she can’t seem to find the right words or do the right things. Until one day, they find them together: “Assalamu Alaikum, Sister. Welcome.”

From seed to harvest, from loom to shop, to a gift for Girma, this lyrical story of the Ethiopian Gabi is a beautiful celebration of weaving, community and culture.

Written in the cadence of The House That Jack Built, this vibrant and lushly illustrated tale pays tribute to the Gabi— a traditional Ethiopian cloth that is used to celebrate both community and culture. From the tiny seed to the fluffy white cotton, from the steady hands of the farmer to the swift fingers of the weaver, from the busy shopkeeper, to a gift for a loved one, follow the journey of the Gabi that Girma wore in this lively and rhythmic tale that’s perfect to read aloud.

From the renowned author of Invisible Man,a classic, “elegant” (The New York Times) collection of essays that captures the breadth and complexity of his insights into racial identity, jazz and folklore, and citizenship across six decades. Compiled, edited, and newly revised by Ralph Ellison’s literary executor, John F. Callahan, this definitive volume includes posthumously discovered reviews, criticism, and interviews, as well as the essay collections Shadow and Act (1964), hailed by Robert Penn Warren as “a body of cogent and subtle commentary on the questions that focus on race,” and Going to the Territory (1986), an exploration of literature and folklore, jazz and culture, and the nature and quality of lives that Black Americans lead. With newly discovered essays and speeches, The Collected Essays reveals a more vulnerable, intimate side of Ellison than what we've previously seen. “Raph Ellison,” wrote Stanley Crouch, “reached across race, religion, class and sex to make us all Americans.”

From one of our most acclaimed contemporary writers, an urgent and essential collection of poems illuminating the visionary presence of Palestinians.

Fady Joudah’s powerful sixth collection of poems opens with, “I am unfinished business,” articulating the ongoing pathos of the Palestinian people. A rendering of Joudah’s survivance, [...] speaks to Palestine’s daily and historic erasure and insists on presence inside and outside the ancestral land. 

Responding to the unspeakable in real time, Joudah offers multiple ways of seeing the world through a Palestinian lens—a world filled with ordinary desires, no matter how grand or tragic the details may be—and asks their reader to be changed by them. The sequences are meditations on a carousel: the past returns as the future is foretold. But “Repetition won’t guarantee wisdom,” Joudah writes, demanding that we resuscitate language “before [our] wisdom is an echo.” These poems of urgency and care sing powerfully through a combination of intimate clarity and great dilations of scale, sending the reader on heartrending spins through echelons of time. […]is a wonder. Joudah reminds us “Wonder belongs to all.”

Twenty years after its first release, and a decade since the most recent edition, this timeless, definitive volume on sneaker culture is finally back in print. Lavishly illustrated and remarkably comprehensive, Where'd You Get Those? is an insider's account that traces New York City's sneaker culture back to its earliest days. Describing how a small and dedicated group of sneaker consumers in the 1970s and early '80s proved instrumental in establishing current corporate giants such as Nike and Adidas, sneaker aficionado Bobbito Garcia writes with exactitude and affection.

Chronicling the rise of sneakers through the lean years of the '60s, the bulk of the book examines nearly 400 sneakers released in the golden years of 1970-87, via information-packed entries for each model, including all color combinations available, nicknames of particular shoe models, relevant athlete endorsements, and running commentary and stories from a rogues' gallery of fanatics who weigh in on the pros and cons of each sneaker. Through lifestyle chapters such as "Arts and Crafts" (which details the process of customizing sneakers) and "Thou Shalt Not" ("The No-Nos of New York Sneakers"), Where'd You Get Those? interrogates this enduring subculture from every angle. This 20th anniversary classic edition features the cover artwork from the first edition, as well as essays collected from the 10th anniversary edition.

New York City native Bobbito Garcia (born 1966) is a writer, DJ, photographer, filmmaker and basketball player. Often credited as the first sneaker journalist, Garcia penned his landmark Source article "Confessions of a Sneaker Addict" in 1990 and has been documenting the culture ever since.

"An absolute must-read; tell your friends; buy it for your family; sit with it on your own. This is storytelling we need." —Rebecca Traister

An urgent investigation into the experience of seeking an abortion after the fall of Roe v. Wade, and the life-threatening consequences of being denied reproductive freedom.

On June 24, 2022, Roe v. Wade was overturned, and the impact was immediate: by 2024, abortion was virtually unavailable or significantly restricted in 21 states. In Undue Burden, reporter Shefali Luthra traces the unforgettable stories of patients faced with one of the most personal decisions of their lives.

Outside of Houston, there’s a 16-year-old girl who becomes pregnant well before she intends to. A 21-year-old mother barely making ends meet has to travel hundreds of miles in secret for medical treatment in another state. A 42-year-old woman with a life-threatening condition wants nothing more than to safely carry her pregnancy to term, but her home state’s abortion ban fails to provide her with the options she needs to make an informed decision. And a 19-year-old trans man struggles to access care in Florida as abortion bans radiate across the American South.

Before Dobbs, it was a common misconception that abortion restrictions affected only people in certain states but left one's own life untouched. Since the fall of Roe, a domino effect has cascaded across the entire country. As the landscape of abortion rights continues to shift, the experiences of these patients—who crossed state lines to seek life-saving care, who risked everything in pursuit of their own bodily autonomy, and who were unable to plan their reproductive future in the way they deserved—illustrate how fragile the system is, and how devastating the consequences can be.

A revelatory portrait of inequality in America, Undue Burden examines abortion not as a footnote or a political pawn, but as a basic human right, something worthy of our collective attention and with immense power to transform our lives, families, and futures.

A. H. Jerriod Avant’s debut collection, Muscadine, cultivates the vine of familial memory, eulogizing our collective losses while exalting the succor of this human life, how the native grape’s “thick skin    [that] teeth / pierce    breaks to pour // sweetly across the tongue.” Throughout these pages, a deeply Southern sensibility balances an environmental awareness of deficit and bounty — appetite pains the stomach and delights the palette. In all seasons, the tongue’s subversive intelligence sculpts this masterwork of love, grace, conflict, and grief. This book tastes summer and the “ruins of / an afternoon” at once; it explores the language that testifies to loss while illuminating the abundance that loss obscures. Avant accentuates the sonic joys that Black Southern voices bring to bear on memorializing the present and commemorating the past. Don’t forget, he tells us. “Look how I hunger where // there is no hunger.” See how the weather changes swiftly and forever: “Look / how pops left    before we // thought he was done.” But notice, too, how an echo sounds remembrance: “Listen, / how the voice    of a dead man // can live.” He commands us to take the brief blooms with us, says, “Pack me    a bag / I can fit    in my heart.”
 

From Silvia Moreno-Garcia, the New York Times bestselling author of Mexican Gothic, comes Certain Dark Things, a pulse-pounding neo-noir that reimagines vampire lore.

Welcome to Mexico City, an oasis in a sea of vampires. Domingo, a lonely garbage-collecting street kid, is just trying to survive its heavily policed streets when a jaded vampire on the run swoops into his life. Atl, the descendant of Aztec blood drinkers, is smart, beautiful, and dangerous. Domingo is mesmerized.

Atl needs to quickly escape the city, far from the rival narco-vampire clan relentlessly pursuing her. Her plan doesn’t include Domingo, but little by little, Atl finds herself warming up to the scrappy young man and his undeniable charm. As the trail of corpses stretches behind her, local cops and crime bosses both start closing in.

Vampires, humans, cops, and criminals collide in the dark streets of Mexico City. Do Atl and Domingo even stand a chance of making it out alive? Or will the city devour them all?

The concluding volume in a poetic trilogy, Alexis Pauline Gumbs's Dub: Finding Ceremony takes inspiration from theorist Sylvia Wynter, dub poetry, and ocean life to offer a catalog of possible methods for remembering, healing, listening, and living otherwise. In these prose poems, Gumbs channels the voices of her ancestors, including whales, coral, and oceanic bacteria, to tell stories of diaspora, indigeneity, migration, blackness, genius, mothering, grief, and harm. Tracing the origins of colonialism, genocide, and slavery as they converge in Black feminist practice, Gumbs explores the potential for the poetic and narrative undoing of the knowledge that underpins the concept of Western humanity. Throughout, she reminds us that dominant modes of being human and the oppression those modes create can be challenged, and that it is possible to make ourselves and our planet anew.

Winner of the 2023 National Book Critics Circle for Nonfiction and the Los Angeles Times Book Prize

A Washington Post best nonfiction book of 2023 | Winner of the Carnegie Medal for Excellence in Nonfiction

“A riveting indictment of the child welfare system . . . [A] bracing gut punch of a book.” ―Robert Kolker, The Washington Post

“[A] moving and superbly reported book.” ―Jessica Winter, The New Yorker

“A harrowing account . . . [and] a powerful critique of [the] foster care system . . . We Were Once a Family is a wrenching book.” ―Jennifer Szalai, The New York Times

A New York Times Book Review Editors’ Choice | One of Publishers Weekly's best nonfiction books of 2023

The shocking, deeply reported story of a murder-suicide that claimed the lives of six children―and a searing indictment of the American foster care system.

On March 26, 2018, rescue workers discovered a crumpled SUV and the bodies of two women and multiple children at the bottom of a cliff along the Pacific Coast Highway. Investigators soon concluded that the crash was a murder-suicide, but there was more to the story: Jennifer and Sarah Hart, it turned out, were a white married couple who had adopted six Black children from two different Texas families in 2006 and 2008. Behind the family’s loving facade was an alleged pattern of abuse and neglect that had been ignored as the couple withdrew the children from school and moved west. It soon became apparent that the State of Texas knew all too little about the two individuals to whom it had given custody of six children.

Immersive journalism of the highest order, Roxanna Asgarian’s We Were Once a Family is a revelation of precarious lives; it is also a shattering exposé of the foster care and adoption systems that produced this tragedy. As a journalist in Houston, Asgarian sought out the children’s birth families and put them at the center of the story. We follow the lives of the Harts’ adopted children and their birth parents, and the machinations of the state agency that sent the children far away. Asgarian’s reporting uncovers persistent racial biases and corruption as young people of color are separated from birth parents without proper cause. The result is a riveting narrative and a deeply reported indictment of a system that continues to fail America’s most vulnerable children while upending the lives of their families.

Discover the life of Serena Williams―a story about challenging yourself and achieving your dreams for kids ages 6 to 9

Serena Williams is one of the most famous and talented tennis players in history. Before she became a legendary professional athlete, she was a young girl who loved reading and gymnastics and started playing tennis at three years old! In this book about Serena Williams for kids, new readers will explore how she faced discrimination, injuries, and many other challenges, but still worked hard to be the best player she could be.

Independent reading―This biography book for kids is broken down into short chapters and simple language so they can read and learn on their own.

Critical thinking―Kids will learn the Who, What, Where, When, Why, and How of Serena's life, find definitions of new words, discussion questions, and more.

A lasting legacy―Find out how Serena's love for her family and her community inspired her to get involved with important charity work, helping people all over the world.

How will Serena's competitive spirit inspire you?

A young woman discovers that dancers at a local discotheque are being driven to acts of insane violence.

“The place was full of swarming, pugnacious, dangerous missellneous reptile’s… Teenager’s everywhere pounded their way on top of each other crazily strangling, biting and slashing each other’s with broken glass, smashed records or sharpened blades… ”

16-year-old Jennifer Gibbons (1963–1993) wrote Discomania in 1980, alongside her twin sister June-Alison, who was also writing her own novel, The Pepsi Cola Addict, in the bedroom that they shared.

Jennifer offered Discomania to the same English vanity press who would publish June-Alison’s book, but Discomania was turned down for being “too violent, too sexual, and too futuristic.”

Long thought to have been lost or destroyed, June-Alison had in fact preserved the typescript of this unique, furious, funny, and strange novel, which we present with her blessing, alongside additional texts from June-Alison, and editors David Tibet and Ania Goszczyńska.

A tender picture book about a veteran’s PTSD and a family’s love for each other—on good days and hard days—from award-winning creators Winsome Bingham and Rahele Jomepour Bell

Momma wears combat boots, a camouflage jacket, and a U.S. ARMY tag on her chest. She is a fighter for her country’s freedom, but she is also a fighter for her family. When Momma comes home from a long deployment, however, something has changed. Our narrator, Momma’s “Baby," misses the big hugs, uniform fashion shows, and music mornings they used to share. And she really misses planting vegetables together. Now her Momma won’t even come out to the garden. But maybe, just maybe, she can bring the garden to Momma.

Missing Momma is the poignant and ultimately hopeful, comforting story of a child with a parent affected by PTSD. Sensitively written by Winsome Bingham and movingly illustrated by Rahele Jomepour Bell, Missing Momma beautifully reminds kids that a family’s love endures even on days that aren’t picture perfect.

After reconnecting on a road trip, two friends must decide if love is the ultimate risk worth taking in this funny, emotional sapphic romance.

Nia and Jade had been inseparable ever since their best friend, Michal, introduced them at her tenth birthday party. But now it’s been three years since Michal died of cancer― since the brutal fight Nia and Jade had in the weeks after― and they're barely on speaking terms.

Until Nia reads a letter Michal wrote for her 29th birthday, asking her and Jade to go on the southern Jewish history road trip they'd planned before she died. To add to the complications, Michal's then-boyfriend and Jade's twin brother, Jonah, joins the trip. Despite the years apart and Jade and Jonah’s strained relationship, any awkwardness quickly disappears as it becomes clear how much Nia and Jade have missed each other.

Unfortunately, old issues soon arise. Nia has been in love with Jade since they were teenagers, and Jade has been so committed to their friendship that she never let herself consider something more. As the stops pass, tensions mount, running high until Nia and Jade are forced to confront what happened three years ago, their feelings for one another, and even their respective relationships with Jonah.

Rachel Runya Katz’s Whenever You’re Ready is about family, friendship, and the kind of first love that could last a lifetime―if only you are willing to take a chance.

"Poignant, tender, and swoony, Whenever You're Ready is an instant favorite from an auto-buy author." - Alison Cochrun, Lambda award-winning author of Kiss Her Once for Me and Here We Go Again

Although much Black religious scholarship has engaged with feminist theory and womanist thought, a gap remains where little work has been done in religious studies to investigate the Black male experience. A Misrepresented People explores how African American men grapple with identity and masculinity in relation to Black religious thought. This book counters the dominant portrayal of Black men in American society as suspicious, morally defective, and irredeemable, and showcases the strength and relevance of Black religious thought in developing alternative notions of Black manhood.

Drawing on womanist discourses, African American religious thought, literature, and Black male studies, as well as an examination of the writings and sermons of Howard Thurman and Martin Luther King Jr., Darrius D’wayne Hills offers a vision of Black male identity that is grounded in interpersonal relationships and connection. Positioning identity formation as a religious concern, Hills expands the application of religious scholarship toward the complex social and material realities faced by Black men. In doing so, this volume offers a much-needed new model for understanding Black male gender identity, illustrating how religious thought fosters more holistic and livable futures for African American men.

How medieval-inspired racial feudalism reigned in early America and was challenged by Black liberal thinkers

Though the United States has been heralded as a beacon of democracy, many nineteenth-century Americans viewed their nation through the prism of the Old World. What they saw was a racially stratified country that reflected not the ideals of a modern republic but rather the remnants of feudalism. American Dark Age reveals how defenders of racial hierarchy embraced America’s resemblance to medieval Europe and tells the stories of the abolitionists who exposed it as a glaring blemish on the national conscience.

Against those seeking to maintain what Frederick Douglass called an “aristocracy of the skin,” Keidrick Roy shows how a group of Black thinkers, including Frances Ellen Watkins Harper, Hosea Easton, and Harriet Jacobs, challenged the medievalism in their midst—and transformed the nation’s founding liberal tradition. He demonstrates how they drew on spiritual insight, Enlightenment thought, and a homegrown political philosophy that gave expression to their experiences at the bottom of the American social order. Roy sheds new light on how Black abolitionist writers and activists worked to eradicate the pernicious ideology of racial feudalism from American liberalism and renew the country’s commitment to values such as individual liberty, social progress, and egalitarianism.

American Dark Age reveals how the antebellum Black liberal tradition holds vital lessons for us today as hate groups continue to align themselves with fantasies of a medieval past and openly call for a return of all-powerful monarchs, aristocrats, and nobles who rule by virtue of their race.

One of the Gardin women must navigate a season rich with unexpected challenges in the follow-up to The Gardins of Edin, a heartwarming story about love, forgiveness, new beginnings, and what it takes to get there.

Martha Gardin is a mess. And everyone in the Gardin family knows it. A successful physician, Martha is usually the source of the Gardin family drama, but her heart is in the right place… sometimes. So, the Gardins are pleasantly surprised when Martha mellows out after she begins dating Oji Greenwald, one of the most eligible bachelors in town.

As Martha’s relationship with Oji deepens, she thinks she’s finally about to have the life she’s always wanted. But when Martha attempts to intervene in a health crisis in Oji’s family, she draws the ire of Oji’s mother, Eve Greenwald, which jeopardizes everything. Suddenly, Martha finds herself on a journey full of challenges that force her to deal with her previous mistakes, reconcile her past, and forge a path forward.

Will she be able to look beyond the superficial to find what she’s really needed all along?

You can sparkle, shimmer, shine – just like Marsha did.

This vibrant and joyful picture book celebrates the legacy of Marsha P. Johnson, a Black trans woman and activist who played an instrumental role during the Stonewall Riots that lead to PRIDE month, written by award-winning filmmaker and artist Tourmaline.

You wouldn’t even believe the things Saint Marsha used to get up to—she had more of a zest for life than anyone I’ve ever known, and the biggest heart, too.

It’s a hot summer day and New York City is buzzing like a hive of eager honeybees. From Riis Beach to the Flower District, into the West Village and over to the Brooklyn Museum, folks young and old embrace the resolute and love-filled spirit of icon activist Marsha P. Johnson in all that they do.

Told through the eyes of an old friend and with bright, buoyant artwork, this jubilant story celebrates the indelible stamp that Marsha P. Johnson left on New York City and beyond, culminating in a powerful convergence one day in June 2020, when activists from across all five boroughs rallied loudly for Black trans lives.

The spirit of Marsha has never been more alive and present in what we do.

The Bronx born activist and poet Roya Marsh returns with a riveting exploration of Black joy, collective action, and healing.

what will come of what you leave behind?
do you
remember that time
you survived?

The poems in Roya Marsh’s second collection, savings time, wear their raw feeling and revolutionary forcefulness on their sleeves. Alternating between confrontation and celebration, Marsh trains her unsparing eye on the twinned subjects of Black rage and Black healing with practiced, musical intention.

In poems flitting between breathless prose and measured lyricism, Marsh contemplates the contradictions and challenges of Black life in America, tackling everything from police brutality and urban gentrification to queer identity, presidential elections, and pop culture, all while calling for a world where self-care, especially for Black women, is not just encouraged but mandated. “no one told the Black girl,” she writes, “‘see you later’ was a prayer / begging us survive our own erasure.”

As unforgettable on the page as when recited in Marsh’s legendary spoken-word performances, the poems in savings time are focused on both revolution and self-love, at once holding society accountable for its exploitation of Black life and honoring the joy of persisting nonetheless.

This classic iconic study of black images in American motion pictures has been updated and revised, as Donald Bogle continues to enlighten us with his historical and social reflections on the relationship between African Americans and Hollywood. He notes the remarkable shifts that have come about in the new millennium when such filmmakers as Steve McQueen (12 Years a Slave) and Ava DuVernay (Selma) examined America's turbulent racial history and the particular dilemma of black actresses in Hollywood, including Halle Berry, Lupita Nyong'o, Octavia Spencer, Jennifer Hudson, and Viola Davis. Bogle also looks at the ongoing careers of such stars as Denzel Washington and Will Smith and such directors as Spike Lee and John Singleton, observing that questions of diversity in the film industry continue. From The Birth of a Nation, the 1934 Imitation of Life, Gone with the Wind, and Carmen Jones to Shaft, Do the Right Thing, and Boyz N the Hood to Training Day, Dreamgirls, The Help, Django Unchained, and Straight Outta Compton, Donald Bogle compellingly reveals the way in which the images of blacks in American movies have significantly changed-and also the shocking way in which those images have often remained the same.

From the Pulitzer Prize–winning author of The Sympathizer (now an HBO series) comes a moving and unflinchingly personal meditation on the literary forms of otherness and a bold call for expansive political solidarity.

Born in war-ravaged Vietnam, Viet Nguyen arrived in the United States as a child refugee in 1975. The Nguyen family would soon move to San Jose, California, where the author grew up, attending UC Berkeley in the aftermath of the shocking murder of Vincent Chin, which shaped the political sensibilities of a new generation of Asian Americans.

The essays here, delivered originally as the prestigious Norton Lectures, proffer a new answer to a classic literary question: What does the outsider mean to literary writing? Over the course of six captivating and moving chapters, Nguyen explores the idea of being an outsider through lenses that are, by turns, literary, historical, political, and familial.

Each piece moves between writers who influenced Nguyen’s craft and weaves in the haunting story of his late mother’s mental illness. Nguyen unfolds the novels and nonfiction of Herman Melville, F. Scott Fitzgerald, Ralph Ellison, William Carlos Williams, and Maxine Hong Kingston, until aesthetic theories give way to pressing concerns raised by war and politics. What is a writer’s responsibility in a time of violence? Should we celebrate fiction that gives voice to the voiceless―or do we confront the forces that render millions voiceless in the first place? What are the burdens and pleasures of the “minor” writer in any society? Unsatisfied with the modest inclusion accorded to “model minorities” such as Asian Americans, Nguyen sets the agenda for a more radical and disquieting solidarity with those whose lives have been devastated by imperialism and forever wars.

The year is 2035, and Los Angeles County is awash in a tangelo haze of wildfire smoke. Xandria Anastasia Brown spends her days deep in the archives of the Huntington Library as the curator of African American Ephemera and associate curator of American Historical Manuscripts, supported by an array of AI personal assistants and health bots. Descended from a family of obsessive collectors who took part in the Great Migration, Xandria grew up immersed in African American ephemera and realia: boots worn by Negro Troopers during the Civil War, Black ATA tennis rackets, bandanas worn by the Crips....

Although Xandria’s work may preserve collective memory, she is losing a grasp on her own. Evren, her new health bot, won’t stop reminding her that her symptoms of long COVID are worsening; not to mention that severe asthma, chronic fatigue, grief, and worrying lapses in reality keep disrupting progress on a new Octavia E. Butler exhibition, cataloging the new Diwata Collection, and organizing the Huntington against a stealth corporate takeover. Then, one morning a colleague Xandria can’t place calls to wish her a happy birthday―and the library goes into an emergency lockdown.

Sequestered in the archive with only her adaptive technology and flickering intuition, Xandria fears that her life’s work is in danger―the Diwata Collection, a radical blueprint for humanity’s survival. Up against a faceless enemy and unsure of who her human or AI allies truly are, she must make a choice.

A lyrical and strikingly original saga, The Ephemera Collector announces Stacy Nathaniel Jackson as a singular new voice in fiction.

32 black-and-white images

The second book in a three-volume series on Black American artists, featuring work from the 1950s to the 1970s that responded to the cultural, political, and social concerns of the era

During the turbulent 1950s to 1970s, Black American artists, responding to increasing civil rights activism, challenged inequities in the art world. Artists created works that celebrated their racial identity, connected with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives, such as Spiral, and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics such as David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse.
 
The book features 140 color illustrations of paintings, sculptures, and works on paper by such celebrated artists as Romare Bearden, Sam Gilliam, Jacob Lawrence, Norman Lewis, Howardena Pindell, and Alma Thomas, as well as by under-recognized artists. Essays provide an overview of the period and in-depth examinations of James A. Porter, an artist and art historian credited with establishing the field of African American art history, and Merton D. Simpson, an abstract painter, member of the Spiral group, and one of the most important dealers of African art in the United States.

Published in association with the Dixon Gallery and Gardens

Exhibition Schedule:

Dixon Gallery and Gardens, Memphis
(October 22, 2023–January 14, 2024)
 
Crocker Art Museum, Sacramento
(February 4–May 19, 2024)