{"title":"Memoirs \u0026 Biographies","description":"","products":[{"product_id":"the-autobiography-of-malcolm-x-by-malcolm-x","title":"The Autobiography of Malcolm X","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003eONE OF\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTIME\u003c\/i\u003e’S TEN MOST IMPORTANT NONFICTION BOOKS OF THE TWENTIETH CENTURY\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the searing pages of this classic autobiography, originally published in 1964, Malcolm X, the Muslim leader, firebrand, and anti-integrationist, tells the extraordinary story of his life and the growth of the Black Muslim movement. 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Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.\u003c\/span\u003e","brand":"Penguin Random House","offers":[{"title":"Paperback","offer_id":40575796248772,"sku":"9780143105329","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0527\/3577\/0820\/products\/9780143105329.jpg?v=1631515717"},{"product_id":"a-choice-of-weapons-by-gordon-parks","title":"A Choice of Weapons","description":"\u003cp\u003e\u003cstrong\u003e*This item will ship or be ready for pick up in 7-10 business days\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eGordon Parks (1912–2006)—the groundbreaking photographer, writer, composer, activist, and filmmaker—was only sixteen in 1928 when he moved from Kansas to St. Paul, Minnesota, after his mother's death. There, homeless and hungry, he began his fight to survive, to educate himself, and to fulfill his potential dream.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis compelling autobiography, first published in 1966, now back in print by popular demand and with a new foreword by Wing Young Huie, tells how Parks managed to escape the poverty and bigotry around him and to launch his distinguished career by choosing the weapons given him by \"a mother who placed love, dignity, and hard work over hatred.\" Parks, the first African American to work at Life magazine and the first to write, direct, and score a Hollywood film, told an interviewer in 1999, \"I saw that the camera could be a weapon against poverty, against racism, against all sorts of social wrongs. 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Here, in the space of four years, she lost five young men dear to her, including her beloved brother-lost to drugs, accidents, murder, and suicide. Their deaths were seemingly unconnected, yet their lives had been connected, by identity and place, and as Jesmyn dealt with these losses, she came to a staggering truth: These young men died because of who they were and the place they were from, because certain disadvantages breed a certain kind of bad luck. Because they lived with a history of racism and economic struggle. The agonizing reality commanded Jesmyn to write, at last, their true stories and her own.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eMen We Reaped\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eopens up a parallel universe, yet it points to problems whose roots are woven into the soil under all our feet. 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DuBois and George Eliot meet illicitly, as he appropriates lines from her story \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Lifted Veil\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e to write his famous “behind the veil” passages in \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eSouls\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eof\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBlack\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFolk\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e  \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e•\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The words of multiple others (writers, singers, film characters, friends, family) act as prompts and as dialogue.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe fragments of this brilliant book, while not neglecting family, race, and class, are informed by a kind of aesthetic drive: longing, ecstasy, or even acute ambivalence. 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